Monday, March 17, 2014

ARCHIE DOUBLE DIGEST #248

The various Archie comics digest make for a nice change of pace from my other comics reading.  They usually contain several stories of particular interest.  So, on a fairly regular basis, I'll post a mini-blog like this one to clue you in on their contents.

Archie Double Digest #248 [March 2014; $3.99] has the following notable stories:

Archie as The Man From R.I.V.E.R.D.A.L.E. in "Play Deadly" by Frank Doyle with art by Bill Vigoda and Mario Acquaviva. The costumed villain is the Toymaker and the story is from Life with Archie #55 [November 1966].

"The Image Maker" is a second adventure of  The Man From R.I.V.E.R.D.A.L.E. From Life with Archie #53 [September 1966), it's also written by Doyle and penciled by Vigoda with Marty Epps on the inks. The villain is the Sandman.  Makes me wonder how many different comic-book characters have gone by that name. I can think of at least six without even trying.

There's also a Pat the Bat story - "Hooping It Up" by Bob White, who wrote and draw the classic Cosmo the Merry Martian title.

Keep watching the bloggy thing for more Archie comics digests stuff.

© 2014 Tony Isabella

ATTACK OF THE JURASSIC SHARK

While we’re all anxiously awaiting the trailer for Sharknado 2: The Second One, I figured we’d dive into the shark-infested waters of "Hours of His Life Tony Will Never Get Back" and look at some other shark movies I’ve watched recently.

Attack of the Jurassic Shark (2012) is a Canadian film directed by Brett Kelly, whose other films include My Dead Girlfriend, Attack of the Giant Leeches and Thunderstorm: The Return of Thor.  I don’t expect I’ll be seeking out those movies anytime soon.

IMDB offers this summary of the movie:

When an oil company unwittingly unleashes a prehistoric shark from its icy prison, the Jurassic killer maroons a group of thieves and beautiful young female college students on an abandoned piece of land. Unable to escape the fearsome beast, the two groups of strangers must put aside their differences and come together to fight off the extinct, ferocious monster whilst battling for their lives.

The shark is as big as the special effects budget is small. There appeared to be no more than three or four shots of the shark tops and these were repeated endlessly.  You got the shark swimming in the water as seen from below.  You got a distance shot of the shark swimming. You got the shark coming right up to the beach to munch on various characters, none of who were smart enough to figure out that if they didn’t stand in the same exact spot on the beach over and over again, then the giant shark wouldn’t be able to have them for lunch.  I exaggerate but slightly.

One character gets eaten when the shark leaps out of the water to consume everything but her boots and that portion of her legs left in said boots. It jumps over two other characters - this might have been the swimming shot as seen from below shot taken out of the water - and feasts on the murderous thief.  However, we never see how the shark manages to get back into the water since the arc of its leap would have deposited it on land.

It’s not just the special effects. Everything about this movie is terrible. The story, the acting, the directing, the cheesy surprise ending you see coming an ocean away.  It was a lost 79 minutes of my life with only two redeeming qualities.

The nasty art thief woman was hot, the kind of woman I would desire if my life was totally without value and I wanted to surrender to misery and death.  The other redeeming quality was this line from a review on IMDB:

Now I have watched 1000's of films over the years and quite a few terrible ones, but this film takes the biscuit in being bad.

I live for the day when I can use the phrase “takes the biscuit” in one of my own reviews.

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I thought the library had Shark Attack 3: Megalodon (2002) for me, but what arrived was Megalodon (2002). The former is a notoriously bad movie. The latter was surprisingly well-done.

Megalodon (2002) has the by-now-familiar starting point of deep-sea drilling releasing prehistoric sharks from the underground oceanic caverns where they have survived long past their extinction dates. What puts the movie a few notches above most shark movies is good acting and decent special effects.

Roger Sachs plays Peter Brazier, a hands-on oil corporation CEO who doesn’t come off as the usual dick. He believes what he’s doing is necessary and never appears to be in this for the bottom line and nothing else.  Brazier has invited TV newswoman Christen Giddings (Leighanne Littrell) and her cameraman to the oil rig in the hope they will present both sides of the issue. The crew includes Mark A. Shepard, who has become one of my favorite character actors in recent years. You’ve seen him in Leverage and Supernatural. There is none of the usual shark movie scenery-chewing from the excellent cast. That impressed me.

As for the special effects, the rig, its mini-subs and the deep-sea effects are spiffy keen and even occasionally breathtaking.  While the sharks of various sizes aren’t nearly as spectacular, I found them more believable than the usual shark-movie creatures.

I enjoyed Megalodon. The actors are more memorable than the sharks.  Writers Gary J. Tunnicliffe and Stanley Isaacs gave me characters I could care about. Director Pat Corbitt kept a balance between the people scenes and the terror scenes. This isn’t a movie I’ll watch again, but I’m glad I watched it this time.

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Red Water (2003) was the next shark movie I watched.  The made-for-TV film was shown on TBS and was, at the time, one of the highest-rated movies in the network’s history. The movie stars Lou Diamond Phillips and Kristy Swanson, who I always enjoy in horror/monster movies like this one. The usual oil rig is a small one exploring possible oil reserves on a small river. Phillips’ character is a former turned fisherman and Swanson is his environmental scientist ex-wife.  The monster is a freshwater bull shark who the locals believe is a spirit guardian of nature. A hungry spirit guardian.

The B-plot involves thugs looking for stolen money dumped into the river.  Rapper Coolio plays one of the thugs and his performance is so bad that you can’t wait for the shark to eat him.

The movie is uneven, but Phillips, Swanson and Rob Boltin (playing a local friend of Phillips) are good in it. While I can’t speak to their accuracy, the local culture scenes were interesting and well-designed. It’s a good enough film to watch once, but it’s not good enough or bad enough for repeat viewing.

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Shark Attack 3: Megalodon proved difficult to track down.  None of the 100 Cleveland area libraries affiliated with the Medina County libraries had a copy of it. It wasn’t available on Amazon or eBay for anything close to a reasonable price. But track it down I did and I’ll be writing about it tomorrow. See you then.

© 2014 Tony Isabella

Friday, March 14, 2014

BOB INGERSOLL'S THE LAW IS A ASS #302: CIVIL WAR

Bob Ingersoll goes to the past to discuss a troubling aspect of Marvel's Civil War event.  It's the subject of this week's "The Law Is a Ass."

ALIVE YET NOT ALIVE

It's update time!

Well-laid plans continue to go awry. On Thursday, I banged up my wrist when I slipped on some ice while getting the morning newspapers. Today, I'm suffering from something I ate that clearly was not good for me.

On the good news front, I'm making good progress on the paying gig on my desk.  I don't know if I will finish them in time for me to write a new blog for Monday, but I haven't given up on that yet.

Once I resume blogging, I would love to see more readers comments posted here.  While it's true I must approve all comments before they show up, I check on them several times a day.

I'd also love to see more reader comments on the "Tony's Tips" columns I write for Tales of Wonder.  

We seem to be heading into warmer weather here in Medina. If it stays warm, I'll be able to begin my preparations for this summer's Vast Accumulation of Stuff garage sales.  I need to be able to park our cars in the driveway before I can even start cleaning out the garage and setting up the tables.

Outside of  PulpFest in Columbus in August, I have no plans to attend any summer conventions or make any library, school or store appearances.  That could change, but, for now, I'm hoping/wanting to concentrate on my home and work projects.

Getting back to the bloggy thing...

"Rawhide Kid Wednesday" will appear almost every week.

I plan to devote at least one column a week to the new Valiant Comics titles. I've enjoyed what the publisher has sent me and think these comics are a solid alternative to the DC and Marvel comics.

Come April - fingers crossed - I hope to start another long series of writing about vintage comic books from a key month in my life. 

I've got some other things in mind as well, but my work break is over.

Have a great weekend!

Tony

Wednesday, March 12, 2014

BACK ISSUE #71

New from TwoMorrows Publishing...

The theme of Back Issue #71 [$8.95] is "Tryouts, One-Shots & One-Hit Wonders!" from the Bronze Age of Comics and beyond. Editor Michael Eury and his writers cover such oddball concepts as the Bat-Squad, Timmy Time, The No-Prize Book and many more.  Yours truly is briefly quoted in an  article on Marvel Premiere that includes my brief stint on Iron Fist. It looks like a great issue, one I hope to read and review soon.

DOC SAVAGE #71: THE ANGRY GHOST

While new bloggy things are still several days away, I’ll post some new content as I’m able. Let’s start with this recent release from Anthony Tollin’s Sanctum Books. The volume was accidentally skipped when I last wrote about Tollin’s collections.

Doc Savage #71: The Angry Ghost and The Disappearing Lady [$14.95] reprints two novels by William G. Bogart and Lester Dent writing as Kenneth Robeson.  The Angry Ghost is by Bogart and Dent and first saw print in February 1940 issue of Doc Savage Magazine.  For this publication, Tollin has restored 5000 words to a manuscript which had to be rewritten twice before it satisfied original editor John L. Nanovic.

From the back cover:

America’s security is threatened by The Angry Ghost that brings horrific destruction to the U.S. coastal defenses.  

The lengthy correspondence between Bogart and Dent on this novel is included in Will Murray’s historical essay.

The Disappearing Lady is a solo effort by Bogart, which appeared in the December 1946 issue. From the back cover:

Doc Savage unravels the million-dollar blackmail and murder scheme of The Disappearing Lady in a thriller illustrated by comics legend Bob Powell.

Tollin’s “The Shadowy Art of Bob Powell” discuss the comics artist and his career with several examples of his work on The Shadow and Doc Savage comic books published by Street and Smith.

As with other Sanctum Books editions - The Avenger, The Shadow and others - these Doc Savage double novels are entertaining journeys into the heroic fiction of the pulp era.  They’re wonderfully made books and I regularly despair I might never get around to reading all of them.  But what I can and will do is let you know about the new releases as they appear.  More Sanctum Books news is on the way.

© 2014 Tony Isabella

TONY'S TIPS #46

This week in Tony's Tips at Tales of Wonder: I talk about captains in the comics and review recent issues of Captain Midnight and Captain Marvel.