Sunday, November 6, 2011

TONY’S BACK PAGES: SEYMOUR, MY SON


From Comics Buyer’s Guide #1684:

How have I managed to go 48 years without discovering the wonder of
Seymour, My Son [Archie Comics; September 1963]?  Until I saw the
one-shot comic book offered on eBay, I’d never heard of it.  When
I did some quick Grand Comics Database research on it, I discovered
it was written by Frank Doyle, my all-time favorite Archie writer
and penciled by Dan DeCarlo, my all-time favorite Archie artist. I
had to have it.

Seymour is your typical comics teenager, always getting into some
sort of trouble through enthusiasm and klutziness.  However, this
comic book is as much about Seymour’s dad as it is about the title
star.  Indeed, the father is the narrator of this book-length yarn
and he narrates it in verse:

Exactly what is a teenage boy? A small man?  A large child? A tame
pet gone wild?  Gentle reader, don’t go ‘way, ‘till this proud
poppa’s has his say.


Doyle is the comics equivalent of Neil Simon.  He was an absolute
master of timing whose “punch panels” at the end of a story always
give me a chuckle and sometimes a out-loud laugh.  This comic has
them at the end of every page and also the middle of some pages.
It’s classic Doyle all the way.

DeCarlo’s lively drawings are the perfect visuals to Doyle’s wit.
Inking is by the great Rudy Lapick.

Another cool fact about this comic was that it was also published
by Belmont Books as a paperback with the title My Son the Teenager:
A cartoon satire by a celebrated father who prefers anonymity. Add
another item to my “Holy Grail” list. 

More Seymour, a second one-shot with a more traditional format and
not narrated by Seymour’s father, has a publication date of October
1963.  But it’s still a book-length story by Doyle and DeCarlo and
that means it must be mine...someday.

A final fun fact about Seymour, My Son. It was one of two new comic
books launched by Doyle and DeCarlo in 1963.  The other was called
She’s Josie. Wonder if that one amounted to anything?
 
I’ll be back tomorrow with more stuff.

© 2011 Tony Isabella

Saturday, November 5, 2011

THE LAST OF THE NEW 52

Today’s bloggy thing concludes my reading and reviewing of “The New
52" debut issues.  I enjoyed more of them than I was anticipating.
I thought some of them were so substandard that they constitute an
embarrassment to DC and an insult to their readers.  Before I get
to these last debut issues, some general comments:

From a creative/quality view, I question whether it was necessary
for DC to have launched 52 new titles in one month.  However, there
is no denying this launch month was financially successful for DC,
nor that their success seems to be continuing.

Two factors are at play in the month-to-month production of these
new titles.  The first is understandable and laudable.  DC Comics
wants these books to ship on time.  I have no problem with that at
all, as long as editors don’t start thinking they can get monthly
issues out of artists who have never been able to draw a comic each
and every month in the past...or greater production out of writers
who are forced to rewrite scripts over and over again.

That’s the second factor and one with which I think is hurting the
overall quality of the books.  Editors with very little discernible
writing talent themselves are micro-managing writers trying to make
unforgiving deadlines.  It’s a terrible combination.

The smart editors in this business - and, sadly, there are less of
them every year - know their best policy is to hire the very best
writers they can and then get out of their way.  If editors want to
write, they should write.  They shouldn’t make their writers write
the editors’ stories. 

Yes, of course, editors working in a enormous shared universe like
DC’s have to exercise control over what happens to the characters
in these titles.  Then again, the better writers already know not
to break the toys with which they’ve been allowed to play and know
this better than the editors in many cases.

Being a good comics editor is like being a carpenter.  Carpenters
are told to measure twice and cut once.  Editors should be taught
to hire well and then, with an eye on the deadlines, facilitate the
writer doing the best work of which he or she is capable.

Here comes the reviews...

Justice League Dark #1 [$2.99] lives up to the “dark” part of its
title.  I’m sure many readers will enjoy writer Peter Milligan’s
take on this Justice League spinoff and the characters featured in
it.  I don’t think I’m one of them, mostly because this first issue
struck me as somewhat mean-spirited in its darkening of some of the
characters.  I especially don’t care for this version of Zatanna,
though I recognize my adolescent lust for the original cute-and-cuddly
Zatanna may be a factor there.  But the debut is interesting with
appropriately disturbing Mikel Janin art.  Assuming the friend who
is loaning me his comics buys the second issue, I’ll probably stick
around for a while.

In The Savage Hawkman #1 [$2.99], Carter Hall is a sullen loner who
looks like last week’s dirty laundry and who has buried his Hawkman
gear.  In short, he has none of the qualities that made Carter Hall
an interesting and likeable character in his previous incarnations.
But, hey, his Hawkman armor/gear/wings bonds with him and emerges
from his body when necessary.  Because that’s blindingly original
unless you’ve seen all the other characters with that gimmick.  I
have.  I’ve also written Hawkman and, though I don’t usually play
this card, I did it much better.  If there was a reason to return
for The Savage Hawkman #2, I certainly didn’t find it anywhere in
The Savage Hawkman #1.

Superman #1 [$2.99} was a terrific comic book.  George Perez, who
did the script and breakdowns, packed a lot of story into this one.
So much that I found a second reading rewarding.  Some characters
seemed a little off to me, but, overall, I liked how Perez handled
them.  Artist Jesus Merino did such a good bringing the breakdowns
to completion I thought Perez had drawn the book himself before I
went back to check the credits.  I do hope to see something more of
the authority-defying Superman of Grant Morrison’s Action Comics in
this title, but I’m definitely on board with this title as long as
Perez is writing it.

Teen Titans #1 [$2.99] is another “blah” book for me.  Every one of
the young heroes came off like a jerk.  We got another one of those
boring trite evil secret organizations...though I sort of recall
that this particular boring trite evil secret organization showed
up on another “New 52" book.  The bottom line...nothing to see here
and I won’t be back for the next issue.

My jury of one is still out on Voodoo #1 [$2.99].  I liked the Sami
Basri art and the Ron Marz script.  I thought the stripper dressing
room scene was believable if sanitized, based on my friendship with
several dancers when I owned and operated a comics shop in downtown
Cleveland.  But what threw me was the final scenes of this debut.
Unless Voodoo saw something real bad in the agent’s thoughts, her
actions make her an unsympathetic character.  That’s not wrong per
se, but it lessens my interest in reading her further adventures.
I’ll keep an open mind until I see where the second issue takes her
and us.  Mark me “undecided” on Voodoo.

I’ll be back tomorrow with more stuff.

© 2011 Tony Isabella

Friday, November 4, 2011

BACK TO THE NEW 52

I’m reading the fourth week of the first month of DC’s “New 52" in
the full knowledge that the third issues of those titles have begun
to arrive in comic-book shops across the country and, presumably,
the world.  I move slowly, but surely..

In the old DC Universe, if you had asked me to name my favorite DCU
title, I wouldn’t even have to think about it.  It was Jonah Hex as
written by Justin Gray and Jimmy Palmiotti and drawn by some of the
best darn artists in comics.  If you ask me to name my favorite of
the new DCU titles, it would be All Star Western [$3.99}, written
by Justin Gray and Jimmy Palmiotti and drawn by a one-name artist
called Moritat.  Funny how things work out sometimes.

All Star Western #1 brings Jonah out of the American West and into
Gotham City of the 1880s.  He’s not as young as he used to be, but
he hasn’t lost a step.  He’s still our scarred surly magnificent
bounty hunter.  The differences are that he’s left the Wild West for
a Wilder East filled with corruption on a higher level than he’s
faced before and that he’s been saddled with an unwanted partner,
a medical doctor delving into the human mind.  And guess who Doctor
Amadeus Arkham finds both fascinating and frightening?

Gray and Palmiotti have amped up their already outstanding writing
for this new series. Moritat’s art is excellent throughout with a
welcome hint of Nick Cardy that shows through here and there.  If
you buy only one of DC’s “New 52,” this should be that one series.
I love it a lot. 

Aquaman #1 [$2.99] was an enjoyable relaunch of this most unfairly
denigrated super-hero.  Writer Geoff Johns gives us an Aquaman who is
clearly one of the more powerful heroes in the new DC and makes him
a far more relatable and interesting character that he’s ever been
before.  Penciller Ivan Reis has kicked up his Neal Adams-inspired
art a notch, combining with the solid inking of Joe Prado to give
us a comic book that looks as good as it reads.  Given past decades
of Aquaman, I was skeptical that anything outside of the Batman: The
Brave and the Bold
cartoon series could present the character in a
manner that would entertain me.  Kudos to Johns for overcoming my
skepticism with this first issue.

Batman: The Dark Knight #1 [$2.99] was just kind of there.  It had
decent writing and art, but it didn’t engage or move me.  Until the
last-page shock ending.  Which I thought was dumb.  I won’t kick it
to the curb, but I’ll need more from its second issue.

I’m not sure what to make of Blackhawks #1 [$2.99].  The legendary
team has been rebooted as a secret “black ops” branch of the United
Nations, albeit with what appears to be more of a moral foundation
than most “black ops” organizations.  There are a few characters I
found interesting in this debut issue, but they could have used a
bit more “on screen” time to flesh them out better.  This one isn’t
a hit with me, but I’ll probably give it a few more issues before
I rule it out completely.

The Flash #1 [$2.99} falls into the “nothing to see here” category
of DC’s “New 52" titles.  There’s nothing new here, nothing that’s
particularly exciting, intriguing, or moving.  It’s just words and
pictures on pages that don’t engage the reader.  Again I ask...why
did there have to be 52 new titles in the same month?  Maybe start
with your 20 best bets and debut more when you actually have comic
books that are good.

Fury of the Firestorms: The Nuclear Men #1 [$2.99} was tragically
disappointing.  The relatable simplicity of Gerry Conway’s original
Firestorm was utterly lost in this debut issue.  Too many precious
pages were devoted to the boringly bad ass villains and the trite
conspiracy behind them.  Too little attention was devoted to making
the leads real and sympathetic.  A comic book by Ethan Van Sciver
and Gail Simone should be so much better than this one.  DC and its
readers would have been better served if Conway had been hired to
helm the character he created and who has been a quiet favorite of
many readers for decades.  With Simone already off the title, I’m
not likely to come back for a second issue.

Green Lantern: New Guardians #1 [$2.99] is mired in back story that
stretches all the way back to when Kyle Rayner first received a
power ring.  The script knocks off various multi-colored Lanterns
like some cheap horror movie sans the sexy teenagers.  I’m guessing
this will end up being a book about a team of different-colored
Lanterns and I’m definitely not the audience for that.  I’ve seen
that dance for the past couple of years worth of Green Lantern and
its spinoff titles and it didn’t entertain me then.  So I’m sitting
out this series.

I, Vampire #1 {$2.99] was another “blah” title.  It drowned in its
attempt to create either a compelling or horrific tone.  That these
vampires are in the same world as Superman and the rest of the DCU
super-heroes was interesting for about a page.  Then I realized the
vampires are out of their weight class.  Delusions of grandeur should
have been cast as more interesting delusions of adequacy with the
vampires trying to survive and maybe even thrive under the radar of
foes who could destroy them by listening hard.

Today’s blog started out so much more promising, didn’t it?  I’ll
be back tomorrow to wrap up the first month of the new 52.  See you
then.   

© 2011 Tony Isabella

Thursday, November 3, 2011

I VOTED ON HALLOWEEN


I voted on Halloween, but didn’t wear my “I (Godzilla) Tokyo” shirt
to the Medina County Board of Elections office.  As pastor of the
First Church of Godzilla (Reform), I would be violating my deeply
held beliefs if I inserted religion into this election.  I believe
in the separation of church and state, as does my Great Scaly Lord
and Master...though, unlike him, I can’t physically separate them
with a stomp of my foot.

Early voting has been a blessing to me.  It allows me to avoid crowds
and the occasional idiot poll worker who thinks it’s his job to keep
the “wrong people” from exercising their rights.  It’s not remotely
a secret that, across the country, Republicans are working hard
to either disenfranchise voters who disagree with their positions or make
it more difficult for them to vote.  It’s a far more real threat to our
democracy than the urban legend of “massive voter fraud” included
in the right’s fear-mongering playbook.

Voting rights are under attack in Ohio with the Republicans trying
to rewrite the rules to their benefit.  Their redistricting map is
coming under legal challenge because it so egregiously stacks the
deck in the GOP’s favor.  If the Republicans have their way, there
will be less absentee and early voting.

Sans Godzilla shirt, I arrived at the elections board around nine
in the morning.  There were only four or five other voters there.
Once I filled out the paperwork, there was no wait for one of the
voting machines.  It’s a system that works exceedingly well, except
for the Republicans who believe greater voter participation hurts
their chances of winning elections.  

The city of Medina has a “nonpartisan” ballot, which I don’t much
care for.  I like to know the political affiliation of candidates.
When I’ve contacted The Gazette - local newspaper - and requested
this information in their coverage of the candidates, they recite
“nonpartisan” as if they were prohibited by law from reporting it.
It’s not a good newspaper.

On the other hand, the political affiliation of the candidates is
not a huge issue in conservative Medina.  They might as well all be
Republicans.  Some offices only have one candidate.

I voted for a former mayor for Member of Council At Large because
he had a decent record as mayor.  I mentally flipped a coin to vote
for my own council person because there wasn’t much of a difference
between the two candidates.  I voted for the incumbent clerk of our
municipal court because she’s been doing a decent job in the office
to date.

There were three candidates for the two open seats on the Board of
Education, including two women running as a team.  With no terrific
difference separating the candidates, I voted for the one male and
one of the women.  I don’t have much faith in the school board and
didn’t see any advantage in voting for both of the women.  As much
as possible, I don’t want the members joined at the hip.  Let them
fight it out from time to time.

There were three state and three local issues on the ballot.  The
first state issue would, if it passes, increase the maximum age at
which a person could be elected or appointed judge.  I’d normally
vote in favor of this because I don’t think age alone should be the
main factor in determining someone’s fitness to do a job.  But the
intent of those who put forth this issue was to keep various right-
wing judges on the bench.  Given the power the GOP has in Ohio at
present, I voted against this issue this time out.  I’d be willing
to revisit it in a few years, especially if two extraneous clauses
are stricken from the bill.

Issue 2 was the big one.  It calls for the approval or rejection of
a bill that would strip public employees of their bargaining rights
and - it’s a long bill - enact into law other things that would be
bad for the middle class and the poor.  In other words, a typical
Republican bill to increase the power and wealth of the obscenely
powerful and wealthy.  It’s telling that the GOP is so far out of
touch with the 99% that it decided to vilify policemen, teachers,
and firefighters.  I voted against it.

Sidebar. The GOP is so mendacious in its lust for this bill that it
took footage of a woman in a political ad opposing it and re-edited
her footage to make it seem she was in favor of it. 

The third state issue calls for the state to illegally opt out of
the national health care plan that recently became law.  It is an
absurd issue that was put on the ballot to get the brain-dead Tea
Party lunatics to come to the polls to express their hatred of all
things Obama.  Even it is passes, it would not stand up to judicial
scrutiny.  However, while making its way through the courts, this
issue would cause chaos to our state health care and real damage to
those least able to afford and survive said chaos.  I voted against
this one, as well.

Sidebar. My main problem with the national health care law is that
it doesn’t go far enough.  That it was the best we could get is wee
small comfort.  We won’t get the health care this country requires
until we get corporations and their paid-for politicians out of the
debate.  I’m not holding my breath waiting for that.

Two of the three local issues were for renewals of tax levies for
the Medina County Home and the Medina County Health District.  As
both of these organizations do good work for the entire community,
I voted for both of them.

The remaining local issue was a proposed income tax for the Medina
City School District. I hated to vote against that one.  Up until
recently, I never voted against a school levy.  But, as in the past
two years, I couldn’t vote for it.

I have absolutely zero confidence in the superintendent of Medina’s
schools.  He is a partisan hack who has often made decisions based
on what the local Republican Party tells him to do.  I can’t think
of a single interaction I had with him when he was the principal of
Medina High School where he did the right thing.

I have almost as little confidence in the school board.  Whenever
cuts are made to the school system, those cuts seem to impact most
severely on those who can afford it the least.  It’s pretty much
the 1%/99% dynamic on a local level.

If and when this lousy superintendent is gone, preferably against
his wishes, if and when the school board starts acting for all of
Medina’s students and not just the elite, then I will happily vote
in favor of more funding.  Not before.

My kids were fortunate in that they had some amazing teachers while
in Medina schools.  Many of those teachers took early retirement.
They saw the system and especially the state’s governor as hostile
to their profession and their ability to truly educate the students
in their classes.  They weren’t wrong in that assessment. 

After the votes have been counted, I’ll let you know the outcome of
these races and issues.  In the meantime, because you have been so
patient with my political commentary, I’ll be back to writing about
comics for the next several days.  The rest of those “New 52" debut
issues aren’t going to review themselves.

I’ll be back tomorrow with more stuff. 

© 2011 Tony Isabella

Wednesday, November 2, 2011

Stolen Artwork

My friend Jim Amash sent out the following press release:

For Immediate Public Release,

A certain person Joe Giella trusted apparently stole a few pieces of original comic art from his house, mostly likely on Sept. 7 and Oct. 13 of this year.  We want to get the word out so that anyone who may have already purchased this work or may be contacted about it will know it's considered stolen property, and hopefully will help get Joe's artwork back to him. A police report has been filed in the case, but spreading the word to the comics art community is absolutely vital.  Here is a list of the stolen art:


Flash #144 "Menace of the Man Missile", pages 1 and 9. Pencils by Carmine Infantino.


Detective Comics #329 "Castle with Wall to Wall Danger" pages 7 and 8.
Pencils by Carmine Infantino


Green Lantern/Green Arrow #107 cover. Pencils by Joe Staton.

This person is believed to have taken art from another comics art veteran, too. Let's try to catch this thief.


****** 

Tuesday's root canal surgery took more out of me than I anticipated, but I will resume full-scale blogging on Thursday.  In the meantime, if you have any information on the stolen artwork, send it to me and I'll pass it on to the appropriate parties.

See you tomorrow.


Tony









Tuesday, November 1, 2011

BLOGGY-DOO, WHERE ARE YOU?

I'm taking a day off - real life and all - but hope to be back tomorrow.

Monday, October 31, 2011

MY HALLOWEEN WEEKEND


Happy Halloween, my bloggy fiends.  Though I find myself somewhat
lacking in the Halloween spirit this year, I did spend much of the
weekend reading or viewing scary fare.  Of course, nothing was more
scary than when I checked out a book at one of my local library’s
self-checkout machines and it informed me I owed a library fee of
$18,790,086.31!

Okay...I don’t actually owe the library nearly 19 million dollars.
This is a glitch that shows up on the checkout machines every few
months.  The first several times it happened, the librarians were
as amused as I was.  The comedy has worn off for them as it happens
again and again.

My reading material this Halloween weekend consisted of two Sanctum
Books volumes published by my pal Anthony Tollin: Doc Savage #51:
“The Land of Fear” & “The Fiery Menace”
and The Shadow #53: “Garden
of Death” & “The Vampire Murders”
[$14.95 each].  The reprinted
pulp magazine tales in these two books were chosen to go along with
this Halloween season.

The Land of Fear [June 1937] is by Harold A. Davis, who authored a
dozen Doc Savage novels before becoming the first managing editor
of Newsday. The “skeleton death” utilized by the story’s villains
is sufficiently eerie to justify its inclusion in this Halloween-
themed volume, but, as a modern reader, I found another element to
be equally scary.  Davis writes glowingly of a community in Africa
formed by Southerners fleeing to that continent after the Civil War
with what are said to be their “faithful retainers.” Even today, of
course, there are some who would honor as some proud heritage a way
of life built upon the enslavement of others.  Given the acceptable
racism of the 1930s, it’s somewhat less scary in a Doc Savage yarn
than in modern politics.  My discomfort aside, Davis still spins an
exciting thriller.

Written by Lester Dent, The Fiery Menace [September 1942] is much
more to my taste.  Unlike most Doc Savage stories, this one finds
the Man of Bronze and his aides at odds with the police, a leftover
from a previous novel.  The book’s “vampire” killer is gruesome and
mysterious. “Frenemies” Monk and Ham are in especially fine form in
this one.  Also, Pat Savage, Doc’s beautiful and feisty cousin, has
a major role and that’s always a good thing. 

ISBN 978-1-60877-062-5 

My energy levels were sort of low over the weekend, so I watched a
lot of television.  Besides channel-surfing between various horror
movies - AMC was showing Halloween and all its sequels, Antenna TV
was airing a selection of Hammer Films movies, Comedy Central had
Shaun of the Dead, Turner Classic Movies had chilling classics like
Them and In the Good Old Summertime, to name a few - I watched the
first episodes of three different fantasy and/or horror series and
caught up with Supernatural.

Re: Supernatural. For me, the jury’s still out on this “Leviathan”
story arc, but the three episodes I watched were of my preferred
“monster of the week” variety.  They included a star turn by Jewel
Staite as “The Girl Next Door” from Sam’s past, a ancient Egyptian
god who was less holy and more ass-holey, and the marvelous reunion
of James Marsters and Charisma Carpenter as married witches going
through a rough patch. The Staite episode promises to have serious
consequences for the Winchester brothers.  Good stuff.

ABC’s Once Upon a Time stars Jennifer Morrison as Rose Swan, a skip
tracer who is drawn to a village whose inhabitants are transformed
fairy tale characters largely unaware of their true natures.  Yes,
it’s uncomfortably close to Bill Willingham’s Fables in some ways,
but the pilot episode was intriguing enough for me to add the show
to my Sunday recording schedule.  However, right from the get-go,
I’m seeing this as a one-story series that shouldn’t run more than
12 or 13 episodes.  Unless ABC is looking for something as boring
as Lost quickly became. 

On Friday nights, NBC’s Grimm also attempts to dine on Willingham’s
lunch.  A police detective discovers he is the last in a long line
of monster-hunters with the ability to see these creatures as their
true selves when they let their guard down.  Now I love me my cop
shows, especially when they have a quirk to them, and I’ll continue
watching this for a while.  However, it does bother me more than a
little that the Big Bad Wolf - an accountant who has disavowed his
wicked ways - is the hero’s unwilling informant and sidekick.  Too
close to Fables for comfort.

On Wednesday nights, BBC has Whitechapel.  Rupert Penry-Jones plays
a stuffy and inexperienced police inspector whose rise through the
ranks is politically motived.  His first case with detectives who
have little regard for his finery is the brutal slaying of a young
woman, but, by the end of the first episode, it’s clear some modern
mastermind and monster is duplicating the Jack the Ripper murders.
Absolutely gripping television.


Getting back to Sanctum Books...

I’m only about 70% through The Shadow #53: “Garden of Death” & “The
Vampire Murders,”
but I have finished the first of the two novels
it presents.  Garden of Death [September 1, 1942] is now one of my
favorite Shadow yarns, a terrific thriller with a truly diabolical
villain, all sorts of clever bits and great roles for the Shadow’s
supporting cast.  In the hands of author Walter B. Gibson, the
“Garden” itself becomes a fascinating character.  Wonderful stuff.

The Vampire Murders [September 8, 1946], which I’ll finish today,
has a sprawling “haunted” house, a gathering of would-be heirs to
a family fortune, sinister servants, and a prowling vampire.  The
vampire is likely not the real deal, but the fun this yarn has been
delivering is genuine.

Backing up the two novels is “Vampires Prowl by Night,” the script
to a Shadow radio thriller from 1946.  It’s written by Gibson Scott
Fox.  Extras like this and the historical essays by Tollin and Will
Murray make Sanctum’s Doc Savage and Shadow books must reading
for fans of the characters, of the pulps, and of old time radio.
I recommend them all.

ISBN 978-1-60877-061-8

If all goes as planned, I will be handing out candy here in Medina
tonight with Sainted Wife Barb.  I hope your own Halloween is safe
and full of frightening fun.

I’ll be back tomorrow with more stuff. 

© 2011 Tony Isabella