My war on Christmas begins this week. My fascist, liberal, Muslim,
secular, jack-booted socialism, pagan violation of all that’s held
dear by the devout, heroic, gun-toting, vote-suppressing, callous,
job-creating patriotic real Americans begins this week. It’s like
Hitler and slavery all rolled up into one giant Christmas stocking
of depravity. Heck, it’s worse than Hitler and slavery on account
of I’ll probably say something mean about Sarah Palin this month.
I am the enemy of all that is good.
My war on Christmas will begin with my figuring out everything I
have to do before Christmas. In other words, I will make a list of
everything I have to do before the holidays because that’s half of
the battle right there. Can I hear an “amen?”
That was a trick question because I am a godless heathen.
Once I have my list, I will start knocking items off that list like
I was a Kenyan bent on taking away all your rights. I will get the
perfect gifts for those I love. I will clean the house and try to
keep it clean. I will write and send out those holiday cards. I
will plan my annual holiday gatherings and try to avoid scheduling
more than one such gathering on any given day. I will remain sane
and be an anchor for my Sainted Wife Barb when she starts going a
little Christmas crazy.
I will continue to use “Christmas” and “holidays” interchangeably.
I will continue to mock those who have a problem with this. Either
one is an acceptable expression of good will towards men. If your
God is bent out of divine shape about this, he/she/it ain’t much of
a God.
My Lord and Master Godzilla celebrates the season by not stepping
on you. Though Mitch McConnell and John Boehner are asking for it.
I will try to read several heartwarming holiday stories this month
and watch several heartwarming holiday movies or TV shows. I must
know this Christmas on which I make war.
I will disguise my boundless evil by being of a good cheer towards
all men and woman and animals that don’t bite me. You will wonder
if I am one of Santa’s elves sent to rekindle your own love of this
season. Your fate is sealed.
Christmas is doomed.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Monday, December 2, 2013
Friday, November 29, 2013
SECRET HISTORY
This year has been filled with amazing comics biographies and other
books of comics history. You can add The Secret History of Marvel
Comics: Jack Kirby and the Moonlighting Artists at Martin Goodman's
Empire by Blake Bell and Dr. Michael J. Vassallo [Fantagraphics;
$39.99] to that non-fiction bounty.
Before and during his comics publishing career, Goodman maintained
a mostly robust line of magazines and other periodicals. Bell and
Vassallo explore the “other” Goodman and draw links to the comics
for which the publisher would be best known. This is a fascinating
story, but not an unusual one.
Goodman, like most of his competitors in the first wave of American
comic-book publishing, was not an ethical businessman. He grew up
in a tough time in our history and didn’t hesitate to cut corners
to make a buck. Only on rare occasions did he show any regard and
respect for the creators who filled his magazines and comic books
with material. It can be said Bell and Vassallo judge Goodman in
their book, but they do this by providing hard facts, remembrances
from Goodman associates and employees and well-reasoned conjecture.
Indeed, the only place in this book where they allow their opinions
to wrongly steer their conclusions is when they discuss the current
Marvel Comics publishing program with facts not in evidence. There
and only there do they stray from being the diligent researchers of
the rest of this wondrous tome.
If Secret History were merely an indictment of Martin Goodman, it
would have value as a comics history. Bell and Vassallo provide so
much more. Their examination of Goodman’s publications, how those
publications were produced, their comparisons to what was going on
elsewhere in the pulp field and the many ties between the pulps and
comic books enrich our knowledge of the company that would become
Marvel Comics.
In addition to the history itself, the authors provide hundreds of
pulp covers, interior illustrations and photographs of key players
of their narrative. They include over two dozen artist profiles of
comics creators who also contributed to Goodman’s magazines. The
book is literally packed with information and, at that, surprising
information.
Fantagraphics also deserves praise for its role in Secret History.
The volume boasts solid editing, brilliant design and remarkable
restoration of aged pulp illustrations.
In any other year, The Secret History of Marvel Comics would be a
shoo-in to win the big comics industry awards. This year, it must
compete with several other equally find books. But it is a serious
contender and, win or lose, it’s a book that belongs in the library
of anyone passionate about comics history.
ISBN 978-1-60699-552-5
******************************
Comics legend Roy Thomas celebrated his mumble mumble birthday last
week. Discounting a couple of small and small-paying earlier gigs,
my career in comics began when Roy hired me to assist Stan Lee and
Sol Brodsky in putting together weekly reprints of Marvel material
for Great Britain. Not only was I working in comics - which was a
huge deal in 1972 - I was learning from three of the smartest guys
in the business in Roy, Sol and Stan.
As I usually do on Roy’s special day, I sent him an e-mail thanking
him for hiring me, for his decades of friendship since and for all
I learned from him. Modestly, Roy usually tells me I didn’t have
that much to learn and that my success came from my own talent and
hard work.
Sometimes, Roy mentions that one of the few things I had to learn
was not to criticize Planet of the Apes in a magazine licensed from
and devoted to Planet of the Apes. He is being too kind. I did a
great many things dumber than that during my few years working in
the Marvel offices.
Respectfully, Roy is wrong about how much I learned from him, but
he may not realize why he’s wrong. I’m not sure I ever explained
it to him as I’m about to explain it to you.
Before I ever stepped foot in the Marvel offices, I studied comics
writers who I felt had much to teach me. I studied Stan Lee, Roy
Thomas, Jack Kirby, Steve Englehart, Len Wein and Robert Kanigher.
I learned how to construct a story so that a new reader could get
swept up into it and follow it without necessarily having read all
the previous issues of a title. I learned how to bring the power
to a sequence when it needed it. I learned how to choose words to
give my scripts a more lyrical quality than what was the norm for
the industry. I learned to be fearless when it came to portraying
real emotion in my work. How well I succeeded in any of the above
is up to readers to determine, but it was from these writers that
I learned and from which my own style developed.
If you’re wondering about my other influences, both before I went
to work in comics and since I’ve been working in comics, that list
is slightly longer. Shakespeare, O. Henry, Harlan Ellison, Lester
Dent, Neil Simon, Ed McBain, Dave Barry, Max Allan Collins. There
are a few others, but those are the main ones.
When I think about my influences, I wonder who is influencing the
current comics writers and the comics writers of the future. I’m
not coming up with a lot of names. Mark Waid and Kurt Busiek are
among the few current comics writers who have mastered the various
arts mentioned above. I can see learning things from Alan Moore,
Neil Gaiman and Harvey Pekar.
Overall, though, a lot of what I read in modern mainstream comics
strikes me as cribbed from movie and TV writing. I see an ongoing
failure to make it easy for a new reader to get into long-running
series and even some creator-owned series. Forgotten is the idea
that every comic book is some reader’s first issue of that series.
It’s as if writers seem to expect the reader to know the characters
and situations as well as they do.
I see enormous body counts and destruction taking the place of real
drama and emotion. I read dialogue that doesn’t reflect who these
characters are. I see company-wide, shock-driven “epics” instead
of real and meaningful stories. It’s comics as blockbuster movies
and violent video games.
It’s not my intention to belittle all of the current comics writers
and attribute the same failings to all of them. If you have been
reading my bloggy things and review columns, you know I find great
merit in many modern comic books. But I’d be less than honest if
I didn’t express my belief that the art and craft of comics writing
isn’t as developed as it should be...or as skilled as it must be.
Not in the mainstream comics. Not in the alternative/independent
comics. Not in the comics from other countries.
Your thoughts?
I’ll be back on Monday with more stuff.
© 2013 Tony Isabella
books of comics history. You can add The Secret History of Marvel
Comics: Jack Kirby and the Moonlighting Artists at Martin Goodman's
Empire by Blake Bell and Dr. Michael J. Vassallo [Fantagraphics;
$39.99] to that non-fiction bounty.
Before and during his comics publishing career, Goodman maintained
a mostly robust line of magazines and other periodicals. Bell and
Vassallo explore the “other” Goodman and draw links to the comics
for which the publisher would be best known. This is a fascinating
story, but not an unusual one.
Goodman, like most of his competitors in the first wave of American
comic-book publishing, was not an ethical businessman. He grew up
in a tough time in our history and didn’t hesitate to cut corners
to make a buck. Only on rare occasions did he show any regard and
respect for the creators who filled his magazines and comic books
with material. It can be said Bell and Vassallo judge Goodman in
their book, but they do this by providing hard facts, remembrances
from Goodman associates and employees and well-reasoned conjecture.
Indeed, the only place in this book where they allow their opinions
to wrongly steer their conclusions is when they discuss the current
Marvel Comics publishing program with facts not in evidence. There
and only there do they stray from being the diligent researchers of
the rest of this wondrous tome.
If Secret History were merely an indictment of Martin Goodman, it
would have value as a comics history. Bell and Vassallo provide so
much more. Their examination of Goodman’s publications, how those
publications were produced, their comparisons to what was going on
elsewhere in the pulp field and the many ties between the pulps and
comic books enrich our knowledge of the company that would become
Marvel Comics.
In addition to the history itself, the authors provide hundreds of
pulp covers, interior illustrations and photographs of key players
of their narrative. They include over two dozen artist profiles of
comics creators who also contributed to Goodman’s magazines. The
book is literally packed with information and, at that, surprising
information.
Fantagraphics also deserves praise for its role in Secret History.
The volume boasts solid editing, brilliant design and remarkable
restoration of aged pulp illustrations.
In any other year, The Secret History of Marvel Comics would be a
shoo-in to win the big comics industry awards. This year, it must
compete with several other equally find books. But it is a serious
contender and, win or lose, it’s a book that belongs in the library
of anyone passionate about comics history.
ISBN 978-1-60699-552-5
******************************
Comics legend Roy Thomas celebrated his mumble mumble birthday last
week. Discounting a couple of small and small-paying earlier gigs,
my career in comics began when Roy hired me to assist Stan Lee and
Sol Brodsky in putting together weekly reprints of Marvel material
for Great Britain. Not only was I working in comics - which was a
huge deal in 1972 - I was learning from three of the smartest guys
in the business in Roy, Sol and Stan.
As I usually do on Roy’s special day, I sent him an e-mail thanking
him for hiring me, for his decades of friendship since and for all
I learned from him. Modestly, Roy usually tells me I didn’t have
that much to learn and that my success came from my own talent and
hard work.
Sometimes, Roy mentions that one of the few things I had to learn
was not to criticize Planet of the Apes in a magazine licensed from
and devoted to Planet of the Apes. He is being too kind. I did a
great many things dumber than that during my few years working in
the Marvel offices.
Respectfully, Roy is wrong about how much I learned from him, but
he may not realize why he’s wrong. I’m not sure I ever explained
it to him as I’m about to explain it to you.
Before I ever stepped foot in the Marvel offices, I studied comics
writers who I felt had much to teach me. I studied Stan Lee, Roy
Thomas, Jack Kirby, Steve Englehart, Len Wein and Robert Kanigher.
I learned how to construct a story so that a new reader could get
swept up into it and follow it without necessarily having read all
the previous issues of a title. I learned how to bring the power
to a sequence when it needed it. I learned how to choose words to
give my scripts a more lyrical quality than what was the norm for
the industry. I learned to be fearless when it came to portraying
real emotion in my work. How well I succeeded in any of the above
is up to readers to determine, but it was from these writers that
I learned and from which my own style developed.
If you’re wondering about my other influences, both before I went
to work in comics and since I’ve been working in comics, that list
is slightly longer. Shakespeare, O. Henry, Harlan Ellison, Lester
Dent, Neil Simon, Ed McBain, Dave Barry, Max Allan Collins. There
are a few others, but those are the main ones.
When I think about my influences, I wonder who is influencing the
current comics writers and the comics writers of the future. I’m
not coming up with a lot of names. Mark Waid and Kurt Busiek are
among the few current comics writers who have mastered the various
arts mentioned above. I can see learning things from Alan Moore,
Neil Gaiman and Harvey Pekar.
Overall, though, a lot of what I read in modern mainstream comics
strikes me as cribbed from movie and TV writing. I see an ongoing
failure to make it easy for a new reader to get into long-running
series and even some creator-owned series. Forgotten is the idea
that every comic book is some reader’s first issue of that series.
It’s as if writers seem to expect the reader to know the characters
and situations as well as they do.
I see enormous body counts and destruction taking the place of real
drama and emotion. I read dialogue that doesn’t reflect who these
characters are. I see company-wide, shock-driven “epics” instead
of real and meaningful stories. It’s comics as blockbuster movies
and violent video games.
It’s not my intention to belittle all of the current comics writers
and attribute the same failings to all of them. If you have been
reading my bloggy things and review columns, you know I find great
merit in many modern comic books. But I’d be less than honest if
I didn’t express my belief that the art and craft of comics writing
isn’t as developed as it should be...or as skilled as it must be.
Not in the mainstream comics. Not in the alternative/independent
comics. Not in the comics from other countries.
Your thoughts?
I’ll be back on Monday with more stuff.
© 2013 Tony Isabella
Thursday, November 28, 2013
THANKSGIVING 2013
Thanksgiving seems redundant to me if only because, in the
wisdom of my years, I am thankful every day of my life. With
darn good reason.
I have a better and happier life than I ever seriously believed I
would have. I have a great wife, great kids, great friends and so
much more. I live in a comfortable house in a good neighborhood.
I have a sweet cat who’s not too terribly demanding and, on those
increasingly rare days when I am ill, will not leave my side save
to eat, poop or run up and down the stairs and all around the house
for no reason I can discern.
I am in good and improving health. I am overcoming physical woes
and getting stronger every day.
I look at my country and I see hope. Racism and bigotry are still
around, but they are being beaten back on a daily basis. The tide
is slowly turning against those who would enrich the very powerful
and very wealthy at the expense of the 99% of the American people
who represent the rest of us. Why, some folks are even embracing
the obvious truth that an economy that enriches the 1% so much more
than the rest of us is not sustainable. There are still battles to
be fought, but the tide of history favors the 99%.
I look at our brave soldiers and firefighters and police officers
and public workers and know they will always be there for us, even
when we are not always there for them as much as we should be. I
am hopeful that someday soon we will reward these good people in a
manner consistent with their great service.
I am thankful for the blessings and teachings of my Lord and Master
Godzilla, the Great Scaly One who protects us with his fiery atomic
love. It can be a tough love, especially give the often recorded
folly of man and all, but it is a just love. As the pastor of the
First Church of Godzilla, I welcome all to share in the bliss I’ve
found from my new faith. If I can figure out how to cash in on it
the way L. Ron Hubbard did with his made-up religion, I’ll be even
more thankful.
I look back on my years in the comics industry and I am as content
as I can be in an field whose history is basically the history of
villainous executives and corporations cheating creators. Even so,
I have found that there are clients who can and do act in an honest
and honorable fashion.
I have an appreciative audience for my writings. I still manage to
find work that is challenging and fun.
The blessed Internet has allowed me to reconnect with old friends,
keep in touch with my friends and readers, and make new friends and
readers. Since my blogs about being a special guest at Comic-Con,
my bloggy thing readership has increased considerably and continues
to increase.
I am thankful that some remarkable and wonderful circumstances have
aligned to make it possible for me to start working on my extremely
long bucket list of things I want to write before I kick that old
bucket on my way to my Monster Island Heaven reward. I expect to
start on several projects in January.
I’m thankful those same remarkable and wonderful circumstances will
allow me to spend a week in Los Angeles visiting old dear friends
and perhaps making new ones. I don’t have the exact dates beyond
“sometime in January,” but I’m excited.
Several hours after I posted this blog, we’ll be having what I am
sure will be a wonderful Thanksgiving gathering and meal. Friends
and family will be converging on Casa Isabella and I will doubtless
consume far too much turkey and stuffing. I will go to bed a happy
bloated man. I’ll be thankful for the day. Just as I am thankful
for every day.
I hope all of you have reason to give thanks as well.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
wisdom of my years, I am thankful every day of my life. With
darn good reason.
I have a better and happier life than I ever seriously believed I
would have. I have a great wife, great kids, great friends and so
much more. I live in a comfortable house in a good neighborhood.
I have a sweet cat who’s not too terribly demanding and, on those
increasingly rare days when I am ill, will not leave my side save
to eat, poop or run up and down the stairs and all around the house
for no reason I can discern.
I am in good and improving health. I am overcoming physical woes
and getting stronger every day.
I look at my country and I see hope. Racism and bigotry are still
around, but they are being beaten back on a daily basis. The tide
is slowly turning against those who would enrich the very powerful
and very wealthy at the expense of the 99% of the American people
who represent the rest of us. Why, some folks are even embracing
the obvious truth that an economy that enriches the 1% so much more
than the rest of us is not sustainable. There are still battles to
be fought, but the tide of history favors the 99%.
I look at our brave soldiers and firefighters and police officers
and public workers and know they will always be there for us, even
when we are not always there for them as much as we should be. I
am hopeful that someday soon we will reward these good people in a
manner consistent with their great service.
I am thankful for the blessings and teachings of my Lord and Master
Godzilla, the Great Scaly One who protects us with his fiery atomic
love. It can be a tough love, especially give the often recorded
folly of man and all, but it is a just love. As the pastor of the
First Church of Godzilla, I welcome all to share in the bliss I’ve
found from my new faith. If I can figure out how to cash in on it
the way L. Ron Hubbard did with his made-up religion, I’ll be even
more thankful.
I look back on my years in the comics industry and I am as content
as I can be in an field whose history is basically the history of
villainous executives and corporations cheating creators. Even so,
I have found that there are clients who can and do act in an honest
and honorable fashion.
I have an appreciative audience for my writings. I still manage to
find work that is challenging and fun.
The blessed Internet has allowed me to reconnect with old friends,
keep in touch with my friends and readers, and make new friends and
readers. Since my blogs about being a special guest at Comic-Con,
my bloggy thing readership has increased considerably and continues
to increase.
I am thankful that some remarkable and wonderful circumstances have
aligned to make it possible for me to start working on my extremely
long bucket list of things I want to write before I kick that old
bucket on my way to my Monster Island Heaven reward. I expect to
start on several projects in January.
I’m thankful those same remarkable and wonderful circumstances will
allow me to spend a week in Los Angeles visiting old dear friends
and perhaps making new ones. I don’t have the exact dates beyond
“sometime in January,” but I’m excited.
Several hours after I posted this blog, we’ll be having what I am
sure will be a wonderful Thanksgiving gathering and meal. Friends
and family will be converging on Casa Isabella and I will doubtless
consume far too much turkey and stuffing. I will go to bed a happy
bloated man. I’ll be thankful for the day. Just as I am thankful
for every day.
I hope all of you have reason to give thanks as well.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Wednesday, November 27, 2013
CRAB MONSTERS AND TEENAGE CAVEMEN
For B Movie fans, if Roger Corman didn’t exist, we would have had
to invent him. While there were plenty of B movies before Corman
started making them and there are plenty of B movies made without
the Corman touch, he is and remains B Movie royalty. Which makes
Chris Nashaway’s terrific Crab Monsters, Teenage Caveman and Candy
Stripe Nurses: Roger Corman: King of the B Movie [Harry N. Abrams;
$35] must-reading for devotees of the famed independent producer,
director and writer.
My admiration for Corman stems from my love of the monster movies
that would air on Cleveland television in my youth. I could list
a dozen-such thrillers but I’ll go with the one that resonated with
me more than most: Attack of the Crab Monsters. I loved that movie
so much that, when Corman briefly became involved with comic-book
publishing, I pitched an ongoing Attack of the Crab Monsters series
to his editor. The pitch didn’t sell, but, when it turns up in my
Vast Accumulation of Stuff, I’ll take another whack at it. Think
Isabella channeling Steve Gerber and Gerry Trudeau with giant crab
monsters. I might have been ahead of my time.
Nashaway’s book unlocks the keys to the Corman kingdom. It’s a big
book - not quite coffee table - filled with stunning movie posters
and stills. It covers Corman’s career in great detail and places
a well-deserved emphasis on all the movie-making legends who acted
in Corman movies and whose association with Corman moved them into
greater triumphs. Corman certainly deserves the many tributes paid
to him over the years.
Though I may not be the average reader of Crab Monsters, I think it
would be difficult for almost any reader to make their way through
this tome without making a list of the Corman movies they want to
see or see again. Even as I write this review, I am jones-ing big
time for another Attack of the Crab Monsters viewing...and that’s
just one of over a dozen Corman productions on my list.
I recommend this book for Corman and B Movie buffs, for students of
modern movie-making and as a gift for anyone you know who is in any
of those groups. It’s a treasure.
ISBN 978-1-4197-0669-1
******************************
Moving on to some movie reviews with the warning there will almost
certainly be spoilers ahead...
The long-delayed Stonados (2013) finally aired on the Syfy Channel
last weekend and talk about your ill wind. I spent the rest of the
weekend apologizing to my Sainted Wife Barbara because I talked her
into watching it with me. She won’t admit it, but she got a kick
out of Sharknado. But, that classic aside, I should have known she
wouldn’t enjoy this movie.
Here’s the bare bones plot. Tornados full of rocks attack Boston.
Our heroes are a scientist turned school teacher mourning his late
wife, his kids, his cop sister and his friend scientist turned TV
weatherman. Also in the cast is the Cigarette Smoking Man from The
X-Files and several other characters you know are doomed to die as
soon as they show up in the movie.
Paul Johansson is okay as the school teacher scientist, manfully
struggling against the awful script. Sebastian Spence is quite fun
as his friend. Miranda Frigon, who was wonderful in the less than
wonderful Primeval spin-off, is pretty good, too. The CSM is okay
in a kind of doomed to die sort of way. And would it have been so
awful to drop rocks on the children? I don’t think so.
Barb and I watched the tail end of Space Twister while waiting for
Stonados. When Stonados was over, her immediate reaction was that
it had the same ending as Space Twister...and she was right. Then
I realized it Sharknado had the same ending as well. Apparently,
the way to stop most freakish and windy acts of God is to blow them
up real good. Useful to know.
Barb was amazed at my uncanny knack for pointing out who
was doomed to die in Stonados. I’ll take it.
Stonados started out promising. After watching the doomed to die
tour guide die, I thought the Plymouth Rock thing - it gets sucked
out of the ground and dropped on a basketball player several miles
away - might play a bigger part in the movie. It didn’t. Too bad.
If the stonados had been the revenge of the indigenous people who
were cheated, brutalized and slaughtered by the Pilgrims and other
Europeans, the way the stone-flinging storms acted would have made
more sense. As it was, the stones dropped however the movie wanted
them to drop regardless of physics. A nasty fortune teller at the
Boston harbor gets smashed into a wall by a boulder that comes in
sideways and at ground level. Lame.
I’m not expecting works of art from Syfy original movies. But the
network can and should do better than this.
P.S. Giant monsters are more fun than weather conditions.
******************************
Robocroc (2013) aired on Syfy in September. The basic plot wasn’t
awful. Experimental government nanites land in an aquatic park and
make a large crocodile their bitch, slowly transforming the beast
into a robot crocodile that still has the killer instincts of its
original self. The military swoops in to take command and manage
to make things even worse, at least partially because the scientist
in charge of the projects is murderously insane.
Corin Nemac delivers his usual fine performance as the movie’s and
the park’s resident croc expert. Nemac was born to star in these
movies. Dee Wallace is entertainingly over the top as a government
scientist determined to see out how many civilians and soldiers the
more robot than natural croc can eat...though it doesn’t really eat
any one because of the whole now-a-robot thing.
Pretty much everyone else in the cast, whether they die or not, is
there to be chomped on by the monster and perish in scenes that are
surprisingly bloodless and gore-less. The only real suspense here
is waiting for Wallace to get hers.
Robocroc drags. It’s not a terrible movie, but it’s not very good
either. It’s not a keeper and not worth a second viewing. Sadly,
it’s only worth a first viewing for Nemac and Wallace.
I don’t think I’ve become more demanding of Syfy original movies.
I think the network is coasting. It needs to serve its viewers a
tastier cheese.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
to invent him. While there were plenty of B movies before Corman
started making them and there are plenty of B movies made without
the Corman touch, he is and remains B Movie royalty. Which makes
Chris Nashaway’s terrific Crab Monsters, Teenage Caveman and Candy
Stripe Nurses: Roger Corman: King of the B Movie [Harry N. Abrams;
$35] must-reading for devotees of the famed independent producer,
director and writer.
My admiration for Corman stems from my love of the monster movies
that would air on Cleveland television in my youth. I could list
a dozen-such thrillers but I’ll go with the one that resonated with
me more than most: Attack of the Crab Monsters. I loved that movie
so much that, when Corman briefly became involved with comic-book
publishing, I pitched an ongoing Attack of the Crab Monsters series
to his editor. The pitch didn’t sell, but, when it turns up in my
Vast Accumulation of Stuff, I’ll take another whack at it. Think
Isabella channeling Steve Gerber and Gerry Trudeau with giant crab
monsters. I might have been ahead of my time.
Nashaway’s book unlocks the keys to the Corman kingdom. It’s a big
book - not quite coffee table - filled with stunning movie posters
and stills. It covers Corman’s career in great detail and places
a well-deserved emphasis on all the movie-making legends who acted
in Corman movies and whose association with Corman moved them into
greater triumphs. Corman certainly deserves the many tributes paid
to him over the years.
Though I may not be the average reader of Crab Monsters, I think it
would be difficult for almost any reader to make their way through
this tome without making a list of the Corman movies they want to
see or see again. Even as I write this review, I am jones-ing big
time for another Attack of the Crab Monsters viewing...and that’s
just one of over a dozen Corman productions on my list.
I recommend this book for Corman and B Movie buffs, for students of
modern movie-making and as a gift for anyone you know who is in any
of those groups. It’s a treasure.
ISBN 978-1-4197-0669-1
******************************
Moving on to some movie reviews with the warning there will almost
certainly be spoilers ahead...
The long-delayed Stonados (2013) finally aired on the Syfy Channel
last weekend and talk about your ill wind. I spent the rest of the
weekend apologizing to my Sainted Wife Barbara because I talked her
into watching it with me. She won’t admit it, but she got a kick
out of Sharknado. But, that classic aside, I should have known she
wouldn’t enjoy this movie.
Here’s the bare bones plot. Tornados full of rocks attack Boston.
Our heroes are a scientist turned school teacher mourning his late
wife, his kids, his cop sister and his friend scientist turned TV
weatherman. Also in the cast is the Cigarette Smoking Man from The
X-Files and several other characters you know are doomed to die as
soon as they show up in the movie.
Paul Johansson is okay as the school teacher scientist, manfully
struggling against the awful script. Sebastian Spence is quite fun
as his friend. Miranda Frigon, who was wonderful in the less than
wonderful Primeval spin-off, is pretty good, too. The CSM is okay
in a kind of doomed to die sort of way. And would it have been so
awful to drop rocks on the children? I don’t think so.
Barb and I watched the tail end of Space Twister while waiting for
Stonados. When Stonados was over, her immediate reaction was that
it had the same ending as Space Twister...and she was right. Then
I realized it Sharknado had the same ending as well. Apparently,
the way to stop most freakish and windy acts of God is to blow them
up real good. Useful to know.
Barb was amazed at my uncanny knack for pointing out who
was doomed to die in Stonados. I’ll take it.
Stonados started out promising. After watching the doomed to die
tour guide die, I thought the Plymouth Rock thing - it gets sucked
out of the ground and dropped on a basketball player several miles
away - might play a bigger part in the movie. It didn’t. Too bad.
If the stonados had been the revenge of the indigenous people who
were cheated, brutalized and slaughtered by the Pilgrims and other
Europeans, the way the stone-flinging storms acted would have made
more sense. As it was, the stones dropped however the movie wanted
them to drop regardless of physics. A nasty fortune teller at the
Boston harbor gets smashed into a wall by a boulder that comes in
sideways and at ground level. Lame.
I’m not expecting works of art from Syfy original movies. But the
network can and should do better than this.
P.S. Giant monsters are more fun than weather conditions.
******************************
Robocroc (2013) aired on Syfy in September. The basic plot wasn’t
awful. Experimental government nanites land in an aquatic park and
make a large crocodile their bitch, slowly transforming the beast
into a robot crocodile that still has the killer instincts of its
original self. The military swoops in to take command and manage
to make things even worse, at least partially because the scientist
in charge of the projects is murderously insane.
Corin Nemac delivers his usual fine performance as the movie’s and
the park’s resident croc expert. Nemac was born to star in these
movies. Dee Wallace is entertainingly over the top as a government
scientist determined to see out how many civilians and soldiers the
more robot than natural croc can eat...though it doesn’t really eat
any one because of the whole now-a-robot thing.
Pretty much everyone else in the cast, whether they die or not, is
there to be chomped on by the monster and perish in scenes that are
surprisingly bloodless and gore-less. The only real suspense here
is waiting for Wallace to get hers.
Robocroc drags. It’s not a terrible movie, but it’s not very good
either. It’s not a keeper and not worth a second viewing. Sadly,
it’s only worth a first viewing for Nemac and Wallace.
I don’t think I’ve become more demanding of Syfy original movies.
I think the network is coasting. It needs to serve its viewers a
tastier cheese.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Tuesday, November 26, 2013
HER BOSS IS A VAMPIRE
Midnight Secretary [Viz Media; $9.99 per volume] is a seven-volume
shojo series by Tomu Ohmi. Originally published in the Petit Comic
magazine from August 8, 2006 to May 8, 2009, the manga is about the
relationship between executive secretary Kaya Satozuka and her boss
Kyouhei Touma.
Kaya is beautiful with something of a baby face. She dresses in a
severe manner so she will be taken seriously. Kyouhei is a jerk.
He disdains most humans, which is something of a problem since his
father is a human. Vampires cannot have children with vampires and
the children of human/vampire pairings produce offspring who are
one or the other. Kyouhei’s brother, likewise an executive at the
family corporation, is a human.
Kaya is a compelling protagonist. She accepts the job as Kyouhei’s
secretary even though he has a reputation for being an impossible
boss. She does this to protect her mother’s job and because she’s
determined to the best secretary at the company. This isn’t some
wild hope on her part. She really is excellent at what she does,
which, once she finds out what her boss is, includes scheduling
“dates” with the women he feeds off of.
Kyouhei doesn’t kill his meals. He brings them exquisite pleasure
and this makes their blood more satisfying to him. But, when his
exposure to sunlight makes him dangerously weak, Kaya freely offers
him her own blood. Thus begins a relationship that, though each of
them tries to keep the other at a distance, becomes closer and more
romantic in nature. Of course, as of the second volume, Kyouhei is
still an enormous jerk. At least he has five more volumes in which
he can improve his rotten personality.
Ohmi is a fine storyteller. She lets readers know what they need
to know to follow these characters and understand the nature of the
vampire in the world of this series. She draws gorgeous women who
are honestly sexy. So sexy that the series is quite rightly rated
“M” for mature readers.
Manga and especially shojo manga isn’t for everyone. But if you’ve
an interest in this type of story, I recommend you give it a try.
Midnight Secretary Volume 1:
ISBN 978-1-4215-5944-5
Midnight Secretary Volume 2:
ISBN 978-1-4215-5945-2
******************************
Random musing. I don’t attention to online chatter about DC’s “New
52" stuff because those comics mostly suck. I’m something like a
year behind in reading issues loaned to me by a pal, so I haven’t
reached the “Year Zero” issues of the Batman titles. Which brings
me to this...
Is there really some indication in these comics that Dick Grayson
was not the first Robin? I’m still unclear on whether or not Tim
Drake was ever Robin in this awful new continuity or if Stephanie
Brown ever existed. But to have someone other than Dick Grayson be
the first Robin just seems terribly wrong to me.
Don’t worry about spoilers. That ship already sailed.
******************************
Another random musing. So I’m reading the excellent The Secret
History of Marvel Comics: Jack Kirby and the Moonlighting Artists
at Martin Goodman's Empire by my pals Blake Bell and Dr. Michael J.
Vassallo [Fantagraphics; $39.99], which I’ll be reviewing at length
in the near future. While reading, I suddenly find myself totally
fascinated by and curious about Snafu, a magazine-size imitation of
MAD Magazine.
Three issues of Snafu were published in 1955 and 1956. Edited and
mostly - if not entirely - written by Stan Lee, each issue was 68
pages counting covers. Artists known to have contributed to Snafu
include such legendary talents as Joe Maneely, John Severin, Russ
Heath, Howie Post, Bill Everett and Marie Severin. Naturally, I’d
like to read and own these issues.
So let’s add The Complete Snafu to my list of books I really wish
existed so that I could buy them. Reprinting the three issues from
cover to cover would run 204 pages, a respectable page count for a
hardcover collection or trade paperback. Come on, Marvel Comics,
I don’t ask you for much.
******************************
I let an important anniversary pass without comment because I had
already written my blog for that day. I want to acknowledge that
anniversary today.
Friday, November 22, was the 50th anniversary of the assassination
of President John F. Kennedy. He was the first president of whom
I was profoundly aware because, like my family - and myself at the
time - he was a Roman Catholic. That was a huge deal for my family
and the Sts. Philip and James parish of which we were members.
A common right-wing paranoid fantasy of the time was that Kennedy
would be taking orders from the Pope. Things have changed little
in that regard. The right wing always goes to the crazy fantasies
to attack any President who’s even a little bit different from the
standard white Protestant model. Sigh.
I remember the announcement coming over the public address system
at my school. It was maybe the only time I ever saw the nuns who
were our teachers cry or visibly express sorrow. So, in addition
to trying to process the unthinkable, we had to process the sight
of those scary black-clad women being human.
We were sent home early, no big deal in those days when most kids
had a stay-at-home mom. My dad got home a little bit earlier, but
that wasn’t unusual. His work day ended by four in the afternoon
or so because it started at four in the morning.
I have no memory of what we had for dinner. We didn’t have a wide
menu and, in retrospect, I think my mother made the same meals on
pretty much the same days of the week. Mom and Dad would have sat
on either end of the table, my older sister and I on the side that
was in front of the window that looked out on our back yard, my two
younger brothers across from us.
We didn’t talk a lot at dinner. Mostly it was the kids telling our
parents what happened at school or what homework or projects that
we had to do. My father might tell my mother something about the
folks from our old neighborhood. If we spoke at dinner at all that
evening, it was less than our usual conversation.
None of our regular TV programs were on. Both of my parents were
in the living room watching the news reports. I did my homework in
the living room, but I’m not sure any of my siblings were there on
that night. My sister tended to stay in her own room, my brothers
might have been in the upstairs room we shared.
If I didn’t need a desk, I did my homework while sitting in a very
comfortable rocking chair. I did what little homework I had - our
teacher hadn’t given us much - and I maybe worked ahead in my math
workbook. If my teachers didn’t keep an eye on me, I would finish
the workbooks months ahead of the class. Grade school was not very
challenging for me.
I do remember the comic book I read a couple times while my parents
watched TV. It was Adventure Comics #314 [November 1963], which I
think I got in a trade with a neighborhood kid and not by buying it
at the drug store.
In a story I now know was written by Edmond Hamilton and drawn by
John Forte, the Legion of Super-Heroes battled “The Super-Villains
of All Ages!” A rejected Legion applicant steals one of their time
machines and brings Nero, Dillinger, and Hitler to the future era
of the Legion. He puts their minds into the bodies of Superboy,
Mon-El and Ultra-Boy. Saturn Girl pushes the treacherous trio into
turning on each other. I barely remember the Superboy solo story
that followed the Legion adventure.
I do remember not liking the story much, which might be why I read
it more than once that night. With the TV reports about Kennedy’s
killing filling the room, comic-book villains, even villains based
on real-life villains, didn’t seem remotely real to me. Though I
tried, I was unable to lose myself in my comic book.
I don’t have any particular deep thoughts on the anniversary. It
has been called the day America lost its innocence, but fifty years
of life and study since then has convinced me we never really had
such blessed innocence, that we were simply better at covering up
the bad things of our country and our world.
Fifty years of conspiracy theories have not convinced me that Lee
Harvey Oswald was part of any organized plot against the country.
Fifty years of watching politicians, corporations and organizations
in action have not allowed me to rule out that there was some sort
of conspiracy. Fifty years have convinced me that some people will
believe anything, no matter how outlandish, rather than accept the
most simple, obvious and proven truths.
But Kennedy was the first President I could truly call my own and
I say that holding nothing against President Dwight D. Eisenhower.
I liked Presidents Jimmy Carter and Bill Clinton, but I never felt
that connected to them either. I could manage extreme dislike for
Richard Nixon, Ronald Reagan, and the second Bush and very little
emotion of any kind for Gerald Ford or the first Bush. I can call
Barack Obama my own, but it’s a respect tinged with the now usual
disappointment I feel towards most politicians and public figures,
even the ones I vote for.
Did I lose my innocence or did I just get older?
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
shojo series by Tomu Ohmi. Originally published in the Petit Comic
magazine from August 8, 2006 to May 8, 2009, the manga is about the
relationship between executive secretary Kaya Satozuka and her boss
Kyouhei Touma.
Kaya is beautiful with something of a baby face. She dresses in a
severe manner so she will be taken seriously. Kyouhei is a jerk.
He disdains most humans, which is something of a problem since his
father is a human. Vampires cannot have children with vampires and
the children of human/vampire pairings produce offspring who are
one or the other. Kyouhei’s brother, likewise an executive at the
family corporation, is a human.
Kaya is a compelling protagonist. She accepts the job as Kyouhei’s
secretary even though he has a reputation for being an impossible
boss. She does this to protect her mother’s job and because she’s
determined to the best secretary at the company. This isn’t some
wild hope on her part. She really is excellent at what she does,
which, once she finds out what her boss is, includes scheduling
“dates” with the women he feeds off of.
Kyouhei doesn’t kill his meals. He brings them exquisite pleasure
and this makes their blood more satisfying to him. But, when his
exposure to sunlight makes him dangerously weak, Kaya freely offers
him her own blood. Thus begins a relationship that, though each of
them tries to keep the other at a distance, becomes closer and more
romantic in nature. Of course, as of the second volume, Kyouhei is
still an enormous jerk. At least he has five more volumes in which
he can improve his rotten personality.
Ohmi is a fine storyteller. She lets readers know what they need
to know to follow these characters and understand the nature of the
vampire in the world of this series. She draws gorgeous women who
are honestly sexy. So sexy that the series is quite rightly rated
“M” for mature readers.
Manga and especially shojo manga isn’t for everyone. But if you’ve
an interest in this type of story, I recommend you give it a try.
Midnight Secretary Volume 1:
ISBN 978-1-4215-5944-5
Midnight Secretary Volume 2:
ISBN 978-1-4215-5945-2
******************************
Random musing. I don’t attention to online chatter about DC’s “New
52" stuff because those comics mostly suck. I’m something like a
year behind in reading issues loaned to me by a pal, so I haven’t
reached the “Year Zero” issues of the Batman titles. Which brings
me to this...
Is there really some indication in these comics that Dick Grayson
was not the first Robin? I’m still unclear on whether or not Tim
Drake was ever Robin in this awful new continuity or if Stephanie
Brown ever existed. But to have someone other than Dick Grayson be
the first Robin just seems terribly wrong to me.
Don’t worry about spoilers. That ship already sailed.
******************************
Another random musing. So I’m reading the excellent The Secret
History of Marvel Comics: Jack Kirby and the Moonlighting Artists
at Martin Goodman's Empire by my pals Blake Bell and Dr. Michael J.
Vassallo [Fantagraphics; $39.99], which I’ll be reviewing at length
in the near future. While reading, I suddenly find myself totally
fascinated by and curious about Snafu, a magazine-size imitation of
MAD Magazine.
Three issues of Snafu were published in 1955 and 1956. Edited and
mostly - if not entirely - written by Stan Lee, each issue was 68
pages counting covers. Artists known to have contributed to Snafu
include such legendary talents as Joe Maneely, John Severin, Russ
Heath, Howie Post, Bill Everett and Marie Severin. Naturally, I’d
like to read and own these issues.
So let’s add The Complete Snafu to my list of books I really wish
existed so that I could buy them. Reprinting the three issues from
cover to cover would run 204 pages, a respectable page count for a
hardcover collection or trade paperback. Come on, Marvel Comics,
I don’t ask you for much.
******************************
I let an important anniversary pass without comment because I had
already written my blog for that day. I want to acknowledge that
anniversary today.
Friday, November 22, was the 50th anniversary of the assassination
of President John F. Kennedy. He was the first president of whom
I was profoundly aware because, like my family - and myself at the
time - he was a Roman Catholic. That was a huge deal for my family
and the Sts. Philip and James parish of which we were members.
A common right-wing paranoid fantasy of the time was that Kennedy
would be taking orders from the Pope. Things have changed little
in that regard. The right wing always goes to the crazy fantasies
to attack any President who’s even a little bit different from the
standard white Protestant model. Sigh.
I remember the announcement coming over the public address system
at my school. It was maybe the only time I ever saw the nuns who
were our teachers cry or visibly express sorrow. So, in addition
to trying to process the unthinkable, we had to process the sight
of those scary black-clad women being human.
We were sent home early, no big deal in those days when most kids
had a stay-at-home mom. My dad got home a little bit earlier, but
that wasn’t unusual. His work day ended by four in the afternoon
or so because it started at four in the morning.
I have no memory of what we had for dinner. We didn’t have a wide
menu and, in retrospect, I think my mother made the same meals on
pretty much the same days of the week. Mom and Dad would have sat
on either end of the table, my older sister and I on the side that
was in front of the window that looked out on our back yard, my two
younger brothers across from us.
We didn’t talk a lot at dinner. Mostly it was the kids telling our
parents what happened at school or what homework or projects that
we had to do. My father might tell my mother something about the
folks from our old neighborhood. If we spoke at dinner at all that
evening, it was less than our usual conversation.
None of our regular TV programs were on. Both of my parents were
in the living room watching the news reports. I did my homework in
the living room, but I’m not sure any of my siblings were there on
that night. My sister tended to stay in her own room, my brothers
might have been in the upstairs room we shared.
If I didn’t need a desk, I did my homework while sitting in a very
comfortable rocking chair. I did what little homework I had - our
teacher hadn’t given us much - and I maybe worked ahead in my math
workbook. If my teachers didn’t keep an eye on me, I would finish
the workbooks months ahead of the class. Grade school was not very
challenging for me.
I do remember the comic book I read a couple times while my parents
watched TV. It was Adventure Comics #314 [November 1963], which I
think I got in a trade with a neighborhood kid and not by buying it
at the drug store.
In a story I now know was written by Edmond Hamilton and drawn by
John Forte, the Legion of Super-Heroes battled “The Super-Villains
of All Ages!” A rejected Legion applicant steals one of their time
machines and brings Nero, Dillinger, and Hitler to the future era
of the Legion. He puts their minds into the bodies of Superboy,
Mon-El and Ultra-Boy. Saturn Girl pushes the treacherous trio into
turning on each other. I barely remember the Superboy solo story
that followed the Legion adventure.
I do remember not liking the story much, which might be why I read
it more than once that night. With the TV reports about Kennedy’s
killing filling the room, comic-book villains, even villains based
on real-life villains, didn’t seem remotely real to me. Though I
tried, I was unable to lose myself in my comic book.
I don’t have any particular deep thoughts on the anniversary. It
has been called the day America lost its innocence, but fifty years
of life and study since then has convinced me we never really had
such blessed innocence, that we were simply better at covering up
the bad things of our country and our world.
Fifty years of conspiracy theories have not convinced me that Lee
Harvey Oswald was part of any organized plot against the country.
Fifty years of watching politicians, corporations and organizations
in action have not allowed me to rule out that there was some sort
of conspiracy. Fifty years have convinced me that some people will
believe anything, no matter how outlandish, rather than accept the
most simple, obvious and proven truths.
But Kennedy was the first President I could truly call my own and
I say that holding nothing against President Dwight D. Eisenhower.
I liked Presidents Jimmy Carter and Bill Clinton, but I never felt
that connected to them either. I could manage extreme dislike for
Richard Nixon, Ronald Reagan, and the second Bush and very little
emotion of any kind for Gerald Ford or the first Bush. I can call
Barack Obama my own, but it’s a respect tinged with the now usual
disappointment I feel towards most politicians and public figures,
even the ones I vote for.
Did I lose my innocence or did I just get older?
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Monday, November 25, 2013
TONY'S TIPS #034
This week in "Tony's Tips" at Tales of Wonder, your elf-like columnist gives you holiday gift suggestions for the special fans in your life.
RIP AND DESMOND’S EXCELLENT ADVENTURES
Courtesy of my local library system, I’ve been having a ball these
past several weeks reading IDW’s gorgeous Rip Kirby by Alex Raymond
volumes ($49.99). They are four volumes of Raymond’s work on this
modern detective strip and they are part of the wondrous Library of
American Comics series edited and designed by Dean Mullaney.
I have very little history with Rip Kirby. I’m pretty sure he was
in one of the local newspapers, but our house only got a newspaper
on the one day of the week my father could read it because it was
the only day he didn’t have to get up early to either make bread at
the legendary Isabella Brothers bakery or deliver it to the stories
who sold said bread. That made it hard to get attached to or even
follow strips, though somehow I still got hooked on Lee Falk’s the
Phantom during this period. But I digress.
Raymond is best known for Flash Gordon, but, when he came back from
his World War II service, the syndicated had hired another artist
to draw Flash. Rip Kirby followed thereafter.
Flash Gordon was a gorgeous strip with fantastic elements, but it
never hooked me the way Rip Kirby did once I could read the strip
on a regular basis. Yes, Raymond had died tragically by then and
I was actually reading the strip as drawn by John Prentice, but it
still caught and kept my interest. Reading Raymond’s run has made
me realize Prentice had been following an insanely tough act. As
much as like the later Rip Kirby strips, these Raymond stories are
even better.
I like the Rip Kirby cast of characters. Rip is this cool
detective who plays piano, is crazy smart, gets involved with some
of the most beautiful women ever to grace the comics pages and has
adventures that take him all over the world. Butler Desmond, who
is a reformed criminal of some sort, is feisty and loyal and very
clever himself. Girlfriend Honey Dorian is trouble-prone and too
understanding of Kirby’s involvements with other women - Hey, Rip,
just because they throw themselves at you doesn’t mean you always
have to catch them - but she’s one of the more likeable beauties to
grace the strip.
Rip Kirby is a tough strip. For all the glamor and there’s a lot
of glamor, there are also some truly despicable villains. Killers,
kidnappers, blackmailers and con men.
The Mangler is Kirby’s most persistent foe. He’s as brutish as Rip
is skilled and with a predatory animal’s cunning. He’s the perfect
counterpart to the suave detective. I’m not big on villains coming
back again and again, but every Mangler appearance in these books
has been exciting.
Auto enthusiast Raymond died in a car crash. He was at the height
of his artistic chops when he died too young. Prentice came on to
finish Raymond’s last story and stayed around for four decades and
change. IDW has published two volumes of the Prentice work and I’m
looking forward to reading those.
General recommendations. Rip Kirby is a great strip and well worth
reading. The Library of American Comics is a tremendous publishing
program and awards should be heaped on Mullaney, IDW and everyone
else who makes it possible. Books like these are why our present
time is the real Golden Age of Comics.
Rip Kirby Volume One (1946-1948):
ISBN 978-1-60010-484-8
Rip Kirby Volume Two (1948-1951):
ISBN 978-1-60010-582-1
Rip Kirby Volume Three (1951–1954):
ISBN 978-1-60010-785-6
Rip Kirby Volume Four (1954–1956):
ISBN 978-1-60010-989-8
Rip Kirby Volume Five (1956–1959):
ISBN 978-1-61377-356-7
Rip Kirby Volume Si (1959–1962):
ISBN 978-1-61377-710-7
******************************
The Tony Isabella Message Board was part of the World Famous Comics
website for many years. It was the best and the most classy of the
message boards hosted at that site by the amazing Justin Chung. It
was a place where lifelong friendships were formed.
Somewhere along the line, the message boards became known as Comics
Community and were hosted/sponsored by Kevin Smith’s “View Askew”
website. This was not a good fit.
When I objected to the crudity found on Kevin Smith’s website - I
recall the logo being a crap-filled toilet - I added a disclaimer
to my message board telling my visitors that the presence of such
material and whatever advertising appeared on my message board was
not approved or endorsed by me. One of Smith’s employees went into
hissy fit mode fit about my comments, but I stood my ground and
changes were made.
Well over a year ago, Comics Community shut down and it hasn’t been
back since. I spoke to Justin about removing my message board from
that website, but the people who run Smith’s website have not yet
responded to Justin’s request for the coding he needs to move the
message board back to World Famous Comics. I was willing to foot
the bill for my message board, but it’s been so long since then, I
have decided to just accept that Kevin Smith and View Askew don’t
care about Tony people.
The Tony Isabella Message Board that launched at World Famous and
was done in by Comics Community is dead. It won’t be coming back.
The new Official Tony Isabella Message Board, launched by my good
friend Jim Guida, can now be found on Facebook. Yes, the message
board is now a Facebook group with all the benefits and occasional
unpleasantries attendant with being a Facebook group. But it’s a
pretty nice place and getting nicer all the time as old pals find
their way to it and new pals sign up. I invite you to sign up for
the new message board, enjoy the content being posted there and add
appropriate content of your own.
While I’m at it...
I want to thank the good people at The League of Extremely Nostalgic
for hosting their “Tony Isabella and Friends” forum while I was trying to
suss out what I wanted to do with my message board. Having made my
decision, that forum has closed. But I appreciate all they did to make the
Tipster feel welcome. Please visit their other forums.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
past several weeks reading IDW’s gorgeous Rip Kirby by Alex Raymond
volumes ($49.99). They are four volumes of Raymond’s work on this
modern detective strip and they are part of the wondrous Library of
American Comics series edited and designed by Dean Mullaney.
I have very little history with Rip Kirby. I’m pretty sure he was
in one of the local newspapers, but our house only got a newspaper
on the one day of the week my father could read it because it was
the only day he didn’t have to get up early to either make bread at
the legendary Isabella Brothers bakery or deliver it to the stories
who sold said bread. That made it hard to get attached to or even
follow strips, though somehow I still got hooked on Lee Falk’s the
Phantom during this period. But I digress.
Raymond is best known for Flash Gordon, but, when he came back from
his World War II service, the syndicated had hired another artist
to draw Flash. Rip Kirby followed thereafter.
Flash Gordon was a gorgeous strip with fantastic elements, but it
never hooked me the way Rip Kirby did once I could read the strip
on a regular basis. Yes, Raymond had died tragically by then and
I was actually reading the strip as drawn by John Prentice, but it
still caught and kept my interest. Reading Raymond’s run has made
me realize Prentice had been following an insanely tough act. As
much as like the later Rip Kirby strips, these Raymond stories are
even better.
I like the Rip Kirby cast of characters. Rip is this cool
detective who plays piano, is crazy smart, gets involved with some
of the most beautiful women ever to grace the comics pages and has
adventures that take him all over the world. Butler Desmond, who
is a reformed criminal of some sort, is feisty and loyal and very
clever himself. Girlfriend Honey Dorian is trouble-prone and too
understanding of Kirby’s involvements with other women - Hey, Rip,
just because they throw themselves at you doesn’t mean you always
have to catch them - but she’s one of the more likeable beauties to
grace the strip.
Rip Kirby is a tough strip. For all the glamor and there’s a lot
of glamor, there are also some truly despicable villains. Killers,
kidnappers, blackmailers and con men.
The Mangler is Kirby’s most persistent foe. He’s as brutish as Rip
is skilled and with a predatory animal’s cunning. He’s the perfect
counterpart to the suave detective. I’m not big on villains coming
back again and again, but every Mangler appearance in these books
has been exciting.
Auto enthusiast Raymond died in a car crash. He was at the height
of his artistic chops when he died too young. Prentice came on to
finish Raymond’s last story and stayed around for four decades and
change. IDW has published two volumes of the Prentice work and I’m
looking forward to reading those.
General recommendations. Rip Kirby is a great strip and well worth
reading. The Library of American Comics is a tremendous publishing
program and awards should be heaped on Mullaney, IDW and everyone
else who makes it possible. Books like these are why our present
time is the real Golden Age of Comics.
Rip Kirby Volume One (1946-1948):
ISBN 978-1-60010-484-8
Rip Kirby Volume Two (1948-1951):
ISBN 978-1-60010-582-1
Rip Kirby Volume Three (1951–1954):
ISBN 978-1-60010-785-6
Rip Kirby Volume Four (1954–1956):
ISBN 978-1-60010-989-8
Rip Kirby Volume Five (1956–1959):
ISBN 978-1-61377-356-7
Rip Kirby Volume Si (1959–1962):
ISBN 978-1-61377-710-7
******************************
The Tony Isabella Message Board was part of the World Famous Comics
website for many years. It was the best and the most classy of the
message boards hosted at that site by the amazing Justin Chung. It
was a place where lifelong friendships were formed.
Somewhere along the line, the message boards became known as Comics
Community and were hosted/sponsored by Kevin Smith’s “View Askew”
website. This was not a good fit.
When I objected to the crudity found on Kevin Smith’s website - I
recall the logo being a crap-filled toilet - I added a disclaimer
to my message board telling my visitors that the presence of such
material and whatever advertising appeared on my message board was
not approved or endorsed by me. One of Smith’s employees went into
hissy fit mode fit about my comments, but I stood my ground and
changes were made.
Well over a year ago, Comics Community shut down and it hasn’t been
back since. I spoke to Justin about removing my message board from
that website, but the people who run Smith’s website have not yet
responded to Justin’s request for the coding he needs to move the
message board back to World Famous Comics. I was willing to foot
the bill for my message board, but it’s been so long since then, I
have decided to just accept that Kevin Smith and View Askew don’t
care about Tony people.
The Tony Isabella Message Board that launched at World Famous and
was done in by Comics Community is dead. It won’t be coming back.
The new Official Tony Isabella Message Board, launched by my good
friend Jim Guida, can now be found on Facebook. Yes, the message
board is now a Facebook group with all the benefits and occasional
unpleasantries attendant with being a Facebook group. But it’s a
pretty nice place and getting nicer all the time as old pals find
their way to it and new pals sign up. I invite you to sign up for
the new message board, enjoy the content being posted there and add
appropriate content of your own.
While I’m at it...
I want to thank the good people at The League of Extremely Nostalgic
for hosting their “Tony Isabella and Friends” forum while I was trying to
suss out what I wanted to do with my message board. Having made my
decision, that forum has closed. But I appreciate all they did to make the
Tipster feel welcome. Please visit their other forums.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
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