Sunday, May 31, 2015

90210 SHARK ATTACK

90210 Shark Attack [2014] hooked me with its title and its DVD box art. The title made me think this might be a silly shark movie that would be fun to watch. The box art with a giant shark knocking over a Beverly Hills sign made me chuckle. So I ordered the movie from Amazon and watched it within days of its arrival.

90210 Shark Attack has a decent story swimming around in its brief 75-minute run time, but it never comes remotely close to turning the story into an entertaining film. Let me give you the Tony Isabella version of the story:

One of the students in a special oceanic anthropology session has a secret. Her professor and classmates know her missing father was both a scientist and a con man who often cheated and stole from the people he studied. He got his hooks into a tribe that worshiped a shark god and they showed him the waters in which their god lives. He then brought a group of wealthy “sportsmen” to the place so they could hunt and kill the shark.

The tribe was angry and cursed the scientist’s young daughter. She can turn into a great white shark. She may have killed her father. She definitely has issues with her cruel classmates...and with her professor, who she learns is planning to exploit the girl’s tragic life story for a book and movie.

That could have been a good movie, but it’s not 90210 Shark Attack. I’ll get to that in a moment.

The horror began as soon as the DVD started, even though the actual movie was close to two dozen trailers away. In a moment of madness, I decided to watch those trailers before the movie...and almost all of those movies shared the same elements.

All the movies were from Rapid Heart Productions, which I assume is a name derived from the artery-stopping fear a viewer experiences on realizing this viewing session will not end well.

Most of the movies were filmed in and around the same house, which I assume is because it was either owned by someone from the company or an abandoned property that the filmmakers could sneak into for the no more than a day-and-a-half of shooting these movies likely needed. Two days tops.

Most of the movies shared the same stock footage of the house, a city, a beach, a dock and so forth. 90210 Shark Attack would have been ten minutes shorter without all the repetitious stock footage. By the way, not one scene of 90210 Shark Attack took place in the city or on a beach or on that dock.

All of the movies were directed by David DeCoteau, who used to work for Roger Corman. DeCoteau has a impressively long history in “B” and lesser grade movies. It appears he made these Rapid Heart films from 2011 to 2014. He is kind of sort of like my beloved The Asylum if The Asylum was just one strange man who made lousy amateur movies for only his own pleasure.

Almost all these movies have elements which, in DeCoteau’s clumsy hands, become fetish tokens. You have handsome and muscular young men who are often bare-chested, who often wear tighty-whities, who are often tied to beds, who are often ogled by cougar women and who sometimes make out with said cougar women. One reviewer said these movies were exercises in homo-eroticism.

I don’t usually ascribe personal issues to a creator’s work, but I found myself wondering if DeCoteau was a deeply closed gay men, a very lonely gay man, or a man who wants to be a cougar woman. I would tell him it gets better, but I’m not sure it will get better if he keeps making movies as lousy as 90210 Shark Attack.

Which brings us back to the movie itself...

Donna Wilkes plays the predator professor. She played a young woman in Jaws 2 (1978) and also appeared in other movies and TV shows up to 1991. Then she took two decades off from acting. She makes her marks and performs her lines, but it’s a decent performance only by comparison to the terrible performances of her cast mates.

Stephanie Shemanski plays shark-girl Alyssa. Her head and shoulders transform into the CGI head of a great white shark who then bites off the heads and necks of her victims. The same CGI effect is used for every killing.

SPOILERS AHEAD
SPOILERS AHEAD
SPOILERS AHEAD


Alyssa’s victims are the entire rest of the cast, who were surely grateful for an end to the misery of being in this movie.

Most of the victims are killed in or near a hot tub. We don’t see any actual shark-on-head-and-neck violence. The camera always cuts away. We see a little blood spatter and one conservatively framed headless torso. You could see more blood in a koi pond.

The movie ends abruptly as the final victim is about to get head-chomped. Alyssa confronts the deceiving Pamela and asks her to give her a kiss as she summons the CGI effect.

Why does the movie end so abruptly? It could be because there were no more cast members to kill. It could be because the film used up its budget of $377.19. I admit I’m just estimating the budget, but, to DeCoteau’s credit, you can see the whole $377.19 right up there on the screen.

END SPOILERS
END SPOILERS
END SPOILERS


Let’s talk for a moment. If you skipped the paragraphs between the SPOILERS AHEAD and END SPOILERS, go back and read them. Because the only way my buying and watching this movie isn’t a colossal waste of my money and time is if I saved you, my beloved bloggy readers, from that dire fate. I do it for you.

I do it all for you.

I’ll be back soon with more stuff.

© 2015 Tony Isabella

Saturday, May 30, 2015

AVENGERS GRIMM

Avengers Grimm [2015] is a recent direct-to-video release fro, the fun folks at The Asylum, makers of such cinematic goodies as Nazis at the Center of the Earth, Mega Piranha and, of course, Sharknado and its sequels. If one can love a movie studio, then I’m deeply, madly in love with The Asylum.

The Asylum’s spirited movies may not have the biggest budgets and stars, but they capture the wonderfulness of the “B” movies that enlivened my childhood. When I watch one of their movies, I feel like that 12-year-old boy who huddled close to his family’s black-and-white TV set in Cleveland with the sound turned down low so as to not disturb the rest of the family.

Ghoulardi aka Ernie Anderson was my guide to monstrous movie mayhem in those bygone years. He was the king of Cleveland TV and taught me the ways of Godzilla and the Black Scorpion and that crazy tree monster that came from Hell. Just saying “Hell” out loud back then would have been grounds for going to confession at Saints Philip and James Church.

If I want to be honest and I always try to be honest with my bloggy thing readers, that black-and-white TV was my real church and the beatnik-like Ghoulardi was its pastor. Small wonder I grew up and became the founder and pastor of the First Church of Godzilla, now holding services on Facebook. But I digress.

In Avengers Grimm, five fairy-tale heroines are whisked from their magical world to our more mundane world by the evil machinations of Rumpelstiltskin. Here, they must use their magical powers and their well-honed natural skills to keep “Rumpy” from conquering our world as he seeks a way back to their world. Yes, I called him “Rumpy.” I’m not typing “Rumpelstiltskin” more often than I absolutely have to. I wouldn’t do that to my Spell Checker.

The premise of this movie delights me. Some have called it a mash-up of Marvel’s Avengers and Once Upon a Time - not without some justification - but this movie doesn’t feel like either the super-hero movies or the TV series to me. It has flaws which kept it from being as good as it could and should have been, but, though I will mention them here today, didn’t keep from spending an enjoyable 87 minutes with Snow White and her posse.

The "Avengers Grimm" are Snow White, Cinderella, Sleeping Beauty, Rapunzel and the outsider Red (as in riding hood). The first three have magical powers, Rapunzel has weaponized hair and Red is just hella good at archery and other fighting skills. Working with the villain are the Wolf (of course), Iron John (a gangster forced to work with Rumpy to protect his neighborhood), an extremely corrupt police force and a legion of transformed and mind-controlled human beings who got on the wrong side of Rumpy.

Lou Ferrigno gives a terrific performance as Iron John. Casper Van Diem is a little chewy as Rumpy. The fairy-tale fighters - Lauren Parkinson, Milynn Sarley, Marah Fairclough, Rileah Vanderbilt and Elizabeth Peterson - are a little shaky with their performances, but look and move well. With a little work, I think they could all be much improved in any sequel.

Briefly seen is Jonathan Medina as “Jack,” who could be either Jack Be Nimble or Jack the Giant Killer. He has a great “don’t blink or you’ll miss it scene” where’s he helping a girl and her little dog to safety. I assume the magic mirror portals open to more than one fantasy world.

Avengers Grimm was written and directed by Jeremy M. Inman. I think this is his first major writer and director gig, though he worked as a digital imaging technician on nearly two dozen other movies. He’s also been an actor, producer, editor, second unit director and filled other roles as well. It’s a good first effort. I hope to see more of his work in the future.

Avengers Grimm isn’t a great movie. It is a fun movie with obvious potential to become a series of movies. That’s all I ask from “B” movies and The Asylum rarely disappoints me.

Forget about Disney and Universal and all those other movie-making places. When I grow up, I want to be in Asylum pictures.

Come back tomorrow for my review of a non-Asylum movie that may be one of the worst movies I ever have seen and reviewed.

© 2015 Tony Isabella

Friday, May 29, 2015

FREE COMIC BOOK DAY FRIDAY

I read another batch of the free Free Comic Book Day comic books I got from my pal Bob Hoskins and the cool crew of Stormwatch Comics in West Berlin, New Jersey. Let’s get right to it...

There were three contenders for my Best FCBD Issue of the Week, but I had to go with Terrible Lizard #1 from Oni Press. Written by Cullen Bunn with art by Drew Moss and colors by Ryan Hill, this is an all-ages series about a girl and her tyrannosaurus.

The two of them meet cute. Dad is a scientist working on a temporal displacement project for the government. Jess is a lonely girl who has no friends because of the demands of her father’s work. Wrex is the tyrannosaurus who bonds with Jess because she’s the first human it meets when it’s dragged growling into our time and also because she’s the only human not trying to kill it.  After reading just the one issue, I love this series.

So...does Terrible Lizard meet my criteria for a good Free Comic Book Day issue? It sure does. It features quality material, it is complete accessible to new readers and, judging from my reaction to it, it will entice new readers to buy the comic book. My reaction was to immediately order the trade paperback.

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The first runner-up was Mercury Heat from Avatar Press. Launching in July as a monthly, this sci-fi series is set on Mercury in the future. It’s written by Kieron Gillen with art by Omar Francia and, yes, I did say it was set on Mercury, which isn’t generally thought of a great planet for human life. Gillen explains it all in the 19 pages of notes that follow the 11 pages of story that leads off the giveaway. Now I’m not a scientist, nor am I a right-wing science-denying dickweed, but what I read was more than enough for me to willingly suspend my disbelief and enjoy this and any future issues of Mercury Head I might read.

Luiza Bora is the protagonist of Mercury Heat. She’s a tough woman who wanted to be a cop on Earth but was told she wasn’t suited for such work. Mercury isn’t nearly as picky.

Mercury Heat isn’t an all-ages book, but it’s perfectly accessible for teen and older readers. Luiza is a good character and she could be a great character. The writing and art are first-rate.  I’m not an avid reader of science fiction these days, but I saw enough in this free comic book that I want to read more. Let’s score this as a win for Avatar Press.

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The second runner-up this week is Tales of Honor #0 from Top Cow. This issue features the 17-page “Bred to Kill” by Matt Hawkins and artist Linda Sejic. The story is set in something called the Honor Herrington Universe and, while a text page preceding the story does give a new reader a bit of a leg up into this universe, it doesn’t offer enough information. I had to turn to Wikipedia:

Honor...Harrington is a fictional character invented in 1992 by writer David Weber as the heroine of the eponymous "Honorverse", a universe described in a series of best-selling military science fiction books set between 4003 and 4025 AD.

Harrington is an officer in the Royal Manticoran Navy (RMN), the space navy of the Star Kingdom of Manticore, an interstellar monarchy that counterbalances its relatively small size with superior space combat technology and capability. She has a genius for tactical command, often overcoming significant odds in critical battles and frequently finding herself at the centre of significant military actions. Her dedication to duty and uncompromising performance results in receiving numerous awards and promotions, earning the respect of interstellar empires, and accumulating implacable enemies. She is a skilled martial artist and through her association with her treecat companion Nimitz, develops an empathic sense that assists her in understanding the emotions of those around her.


Even though Tales of Honor #0 didn’t meet all my criteria for what a FCBD issue should be, the story was sufficiently well-told and entertaining enough that it got me to seek out more information on the series myself. As with Avatar’s Mercury Heat, I’m interested in reading more of this character and her universe.

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Moving right along...

The Legendary Comics 2015 Preview is little more than a catalog of upcoming and existing titles. Some of those titles might interest me, but the nature of this preview doesn’t allow more than a quick sales pitch and a cover for most of the titles...and not much more for others. In my case, my interest comes from either familiarity and appreciation for the creators - Chris Robertson, Steven Grant, Mark Waid and others - or an existing regard for a property being turned into a comic book, such as Godzilla and Pacific Rim. I don’t know if a new reader would have that same level of interest. I have to write this giveaway as less than sufficient for the job at hand.

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As always with FCBD giveaways, there are comic books which simply hold no or little interest to me. I can’t judge those with the same confidence I review other titles.

Boom! Studios Ten Year Celebration 2015 is a thick comic that has come-ons for ten different titles. Most of those are adaptations of cartoons or movies which I’ve never seen and will likely never see. Things like Adventure Time and The Regular Show. I know these are popular, but they have no attraction for me. I am familiar with and enjoy Mouse Guard, Peanuts and Garfield. Because I’ve heard great things about it from folks whose opinions I respect, I have a copy of Lumberjanes on its way to me. But I don’t think the two to four pages of each of these features offers enough of a come-on to get a new reader to check them out.

I’ve never been able to get into Sonic the Hedgehog or Mega Man, so this Archie giveaway comic did nothing for me. I also didn’t find it accessible to readers who aren’t already fans of the games or comic books, nor did I find the material included in the issue to be of high quality. As I have it previous years, I would have to rate this giveaway issue a fail.

I feel the same about the Street Fighter Super Combo Special from Capcom and Udon Entertainment. I don’t care about the video games. I didn’t find the material accessible or good. It may well delight those readers who are already into Street Fighter, but I can’t see it enticing any other readers.

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I have never watched an entire episode of SpongeBob SquarePants, but I did enjoy reading SpongeBob Freestyle Funnies 2015 from United Plankton Pictures and Bongo Comics. The 22-page lead story was fun, as were the short back-up strips. I don’t see myself watching the cartoon or buying the comic book as a result of reading this issue - time and money are the issues here - but I could see a reader who had a passing interest in the show being won over by this giveaway comic. This FCBD comic succeeds.

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I really wanted to like the Drawn & Quarterly FCBD 2015 SuperMutant Magic Academy/Step Aside Pops Combo more than I did. The premise of Jillian Tamaki’s SuperMutant Magic Academy seemed like it would be right in my wheelhouse, but the execution of the short gags left me unimpressed. The Step Aside, Pops gags from Hark! A Vagrant creator Kate Beaton were better but a very strange companion to the Tamaki pages. Ultimately, I think this FCBD giveaway would be confusing to most new readers. It’s not a complete fail, but it’s some distance from being a success.

That’s all for this edition of Free Comic Book Day Friday. I’ll be back tomorrow to talk about a new release from The Asylum. See you then.

© 2015 Tony Isabella

Thursday, May 28, 2015

TELEVISION THURSDAY

My new normal is writing and researching until either I can’t think straight or various body parts start hurting. Then I read or watch TV. Writing about the stuff I read and the stuff I watch makes me feel less like I’m goofing off. I am a little touched in the head.

ABC

I have almost the entire second season of Agents of SHIELD sitting unwatched on my DVR. I hope to start watching those episodes soon. When I get to the end of the season, I’ll write about the series. I’ve already written about Agent Carter.

Sainted Wife Barb and I watch Castle together. The previous season ended on a stupid cliffhanger which was resolved in a manner only slightly less stupid. If we didn’t love Nathan Fillion, Stana Katic and the rest of the cast so much, we might have dumped the series right then and there. However...

The season picked up nicely with several solid episodes and a plot development that had writer Richard Castle bounced from his working relationship with Detective Kate Beckett and opening up a private detective firm. It was a crazy wonderful notion and, to my delight and surprise, the show didn’t let it go on too long.

That was followed by more solid episodes, a resolution to two old foes, a dumb resolution to the previous season cliffhanger’s final questions and an intriguing look at what drove Castle to become a mystery writer. However, in usual dumb TV style, the season ended on a couple of silly plot developments that are supposed to make us believe...everything will change.

Beckett has taken the Captain’s test, which, of course, would take her off the streets. She is also being recruited by serious people within the department to run for the state senate, which makes as little sense as me running for Miss America.

End-of-the-season cliffhangers are a mug’s game. I wish they hadn’t become a staple of scripted dramas and, for that matter, scripted comedies. A pox on them!

Also from ABC...I was the only member of my family to sit through the entire first season of the musical comedy Galavant. I found it amusing and especially enjoyed Timothy Omundson as King Richard. I am amazed the show got renewed for a second series, but I’ll be on board for it.

Cancelled by ABC...Forever was about a seemingly immortal New York City medical examiner. It was very well acted with decent writing, but I just stopped watching it at one point because it didn’t seem to be moving forward at all. I guess I wasn’t the only one who had that experience with the series.

Looking at the new ABC shows that have been announced, The Muppets is the only one that interests me. Because it’s the Muppets...and that’s good enough for me.

CBS

I like my cop/detective/forensics shows, so I watch a lot of CBS’ shows. Since I’m several episodes away from current on Criminal Minds, CSI: Cyber and Scorpion - Barb watches that last one with me - I’ll save those for another column.

Elementary has been excellent this season. The show often stresses that Sherlock Holmes is a drug addict, but he has always managed to resist falling off the wagon. The season finale isn’t explicit as to whether or not Holmes takes that fall, but it presented one of the most horrifying evil plots against the great detective that we have seen. The source of that evil is so petty its revelation might well have been the most frightening thing I have seen in scripted television this season. Well done.

CSI has been cancelled after an uneven season. Ted Danson was not enough to hold the show together. Elizabeth Shue and other recent additions never jelled. Veteran actors seemed to be off their game all season and the show never recovered from the loss of the great  Paul Guilfoyle at the end of last season. Whatever the show needed to make it as good as it had been, the current show runners couldn’t find it.

CSI will have a two-hour finale next season. After that, Danson’s character is moving over to CSI: Cyber. That looks like an awkward move to me, but I’ll keep an open mind.

The Big Bang Theory continued to make me laugh with and not at its quirky characters. There are comics fans who hate the show and take every joke personally, but I don’t haven’t seen jibes half as cruel as those I read online from actual fans.

Two and a Half Men has ended, well past its time. I kept watching it because Ashton Kutcher, Jon Cryer, Conchata Ferrell, Melanie Lynskey and Courtney Thorne-Smith were still very funny performers. But the show had been getting more and more mean-spirited over the years and its finale was a textbook example of a creator just being a dick. I won’t miss it.

CBS has three new shows that interest me. Supergirl looks like so much fun. Criminal Minds: Beyond Borders will star Gary Sinise and I’ll give any show he does a good look.

The third series is a summer show. Zoo is based on a book by James Patterson about the animal kingdom turning on mankind. While I am not sure which side I’ll be rooting for, I will say it looks to be a pretty exciting and scary show.

NBC

The only show I watched on NBC this season was Constantine, based on the DC Comics character. I had been watching Grimm, but stopped about midway through the second season for no other reason than I was trying to cut back on my TV viewing. I recall the show fondly, so I may well catch up on it one of these years.

Constantine started out disappointing, but got better as the first and only season progressed. I was enjoying the show, but, alas, in its final episode, it fell prey to stupid cliffhanger syndrome with a revelation that made no sense whatsoever.

If the show does return - and that seems unlikely - it should waste no time “fixing” the absurd cliffhanger and introducing more of DC’s supernatural characters into the mix. The show was already hinting at the Spectre. He’s a good place to start.

As far as new NBC shows, I haven’t come across any that interest me enough to watch them. Maybe in 2016-2017.

That’s all for this edition of “Television Thursday.” I’ll be back next Thursday with more TV reviews and I’ll be back tomorrow with another installment of “Free Comic Book Day Friday.” See you then.

© 2015 Tony Isabella

Wednesday, May 27, 2015

RAWHIDE KID WEDNESDAY 68

The Rawhide Kid is my favorite western comics character and one of my favorite comics characters period.  Something about the short of stature (but big on courage and fighting skills) Johnny Clay spoke to the short of stature (but big on comics-reading skills) teenage Tony Isabella.  After rereading the Kid’s earliest adventures when Marvel Comics reprinted them in a pair of Marvel Masterworks and an Essential Rawhide Kid volume, I wanted to reacquire every Rawhide Kid comic, reread them and write about them in this bloggy thing of mine. This is the 68th installment in that series.
 
The Rawhide Kid #83 [January 1971] could have been billed as “the story you demanded!” Because, as the cover by Larry Lieber and John Tartaglione shows, after countless reader requests, the Kid becomes a lawman!

“The Rawhide Kid, Lawman” (20 pages; but pages 12 and 13 are half-pages) was written and penciled by Lieber and inked by Tartaglione. In the lawless town of Deadrock, the Kid is making a quick stop to pick up supplies. He knows a town like this spells trouble that he can live without.

When reckless trail hands ride into town and almost run over a boy and his dog, Rawhide rescues the boy and then confronts the galloping lunkheads. They draw down on the Kid and he disarms four men with three shots. Because he’s that good and because there wasn’t room for a fourth sound effect.

The townspeople recognize the Rawhide Kid, but the mayor says that he doesn’t care if the Kid was Jack the Ripper. He thanks Rawhide for standing up to the cowpokes. Another citizen asks the Kid if he would consider hiring on as the town’s sheriff. No one but Rawhide is concerned the Kid is an outlaw with a price on his head.

MAYOR: Other gunmen of questionable character have become mighty fine peace officers!

CITIZEN: This could be a way to square yourself with the law!

CITIZEN: Besides, there’s no warrant out on yuh in this county! Yuh kin settle down here and still do what you do best...gunslingin’! Only now it’ll be to keep law and order!

The Kid accepts the job. The townspeople are thrilled they have “a first-rate peace officer who’ll make it safe for decent folks to walk the streets!"

The Kid vows to do his best and wonders if this marks the beginning to a new life for him:

What an ironic twist of fate! After all these years of dodging tin stars, I end up wearing one!

But maybe this badge will buy me the decent, respectable life that I’ve hankered after for so long! Maybe my days as a fugitive are ended forever!


The lawman job suits the Rawhide Kid. Within three pages, the Kid has become a popular figure in the town:

For the first time in years...folks are smilin’ at me...instead of eyeing me suspiciously and fearfully! It sure feels great!

The story cuts to Luke Clanton, who’s about to complete a five-year sentence for armed robbery. It was the Rawhide Kid who caught Luke and brought him to justice...and it’s revenge against the Kid that has obsessed Clanton all those years.

Normally, a Luke Clanton, even with a gang out of owlhoots, would not be much of a problem for the Rawhide Kid. But, as that bastard fate would have it, Nightwind, our hero’s horse, gets a roof caught in a gopher hole. The Kid does a header into the hard ground. When he comes to, his vision is blurred and he can hardly see anything.

The town doctor says Rawhide’s eyes are undamaged. His vision will return to normal in a few days. The Mayor tells the Kid he can stay with him and the missus while he heals.

Meanwhile, Clanton finds out the Kid is the lawman of Deadrock and heads there with his gang. The outlaws terrorize the townspeople. If the people don’t hand over the Kid within the hour, Clanton and his goons will level the entire town.

The Mayor says they can’t turn the Kid over to Clanton because the outlaws will kill our blinded hero. The townspeople says it’s the Kid or the town. Rawhide begs to differ:

Your only chance is to stand up to these gunmen! You can do it! You far outnumber them. I can’t see, but I can draw upon my own experience to tell you how to fight them! Together, we can win!
 
The townspeople don’t share Rawhide’s confidence. They give him to Clanton. But Luke doesn’t think his revenge will be complete if the Kid doesn’t know who he is...and the Kid doesn’t remember someone who was just one of the guns he’s tangled with all over the west. Clanton decides to take the Kid with them. He’ll hold him prisoner until Rawhide’s sight returns and then kill him.

Blurry of vision or not, Rawhide isn’t going to go out that easy. He attempts to escape, knocking over one outlaw only to be tripped by another. Fortunately, the fall restores the Kid’s sight. So he grabs a gun from one of his captors and, clearly not feeling very kindly, kills every last one of them.

The Kid reflects on the carnage: His name was Luke Clanton...and his thirst for vengeance is quenched at last! The ironic thing is that I don’t even remember him! He’s just another forgotten face from the turbulent past!

That soliloquy reveals so much about the life the Rawhide Kid has led that the reader can actually feel the young man’s pain.

Deadrock is jubilant over the Kid’s return and his taking out the Clanton gang. Until Rawhide tosses his badge to the ground:

I’ll defend folks who are worth defendin’...but not you!

The measure of a town is how it weathers a crisis! Some towns stand tall and proud when the goin’ gets rough! But, when trouble came to Deadrock, you folks looked the other way...and left a blind sheriff to the tender mercies of armed killers!

And so, I’ll just be pushin’ on! There’s nothing here for me any more! Nothing but a shattered dream...in a town of shame.

Like so much of Lieber’s excellent work on this title, “The Rawhide Kid, Lawman” has never been reprinted in the United States.

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As has become the norm, this issue’s “The Mighty Marvel Checklist” takes up less than one half of a page. Once again, there were no standout issues on the list this go-round. Sharing the newsstands with Rawhide: Fantastic Four #106, Amazing Spider-Man #92, Avengers #83, Thor #183, Captain America #133, Hulk #135, Daredevil #71, Sub-Mariner #33, Iron Man #33, Amazing Adventures #4, Tower of Shadows #9, Sgt. Fury #83, Ka-Zar #3, Marvel’s Greatest Comics #30, Where Monsters Dwell #7, Where Creatures Roam #4, Nick Fury #17, Fear #2, Kid Colt Outlaw #151, Ringo Kid #7, Two-Gun Kid #96. Mad About Millie #17, Mighty Marvel Western #12 and My Love #9.

The rest of the page is a Marvelmania advertisement for “104 Marvel Art Masterpieces” from Marvelmania. The pictures are said to be of “favorite super-heroes, villains, best covers, comic art pages” and come in a variety of sizes from 2.5" x 4" to 8.5" x 11". The cost for the set, including postage and handling, was $2.

I never ordered or saw these items. If you bought them back in the day or acquired them since, I’d love to hear all about them. Send some scans if you can and I’ll share them with your fellow bloggy thing readers.

On the classified ad pages, the pitch for “100 stick-on stamps of the scariest Movie Monsters” is gone, but the usual comics dealers were still on hand: Howard Rogofsky, Passaic Book Center, Robert Bell, Grand Book Inc. and Clint’s Books. One dollar would still get you a sample copy of The Comiccollector fanzine.

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The Marvel Bullpen Bulletins page is back this month. The lead item tells of a visit to the Bullpen by Marvelmania’s Mark Evanier and Steve Sherman. I’ve clearly confused my time line on this because I thought Mark and Steve (and myself) were all long gone from that organization by then.

Other items include impressionist Will Jordan entertaining at the first open meeting if the Academy of Comic Book Arts; Sol Brodsky leaving Marvel to start his own comics company (Skywald, though it wasn’t mentioned by name); John Verpoorten being promoted to Marvel production manager; Joe Sinnott returning to Fantastic Four as the title’s inker; Roy Thomas and then-wife Jeanie going to Rutland for the Vermont city’s annual Halloween parade; kudos for Marvel’s new Conan comic series from Harlan Ellison, Don and Maggie Thompson, Dick Lupoff, Glenn Lord, Ted White and August Derleth; and Bullpen welcomes to then-young artists Berni Wrightson and Rich Buckler. The last item reported Buckler working on a new strip by the name of Man-Wolf. Anyone know anything about that never-published strip?

In “Stan Lee’s Soapbox,” the Man talks about Marvel trying to stick to its every-story-complete-in-one-issue policy and not being very comfortable with it. The fans are asked for their thoughts.

The bottom of the Bullpen page has a small ad for Marvel Tales #29 and Daredevil Annual #2. The former has a new cover by Sal Buscema with inks by either Buscema or Verpoorten. It reprints Amazing Spider-Man #39 and #40 by Stan Lee, John Romita and Mike Esposito along with a Doctor Strange adventure by Steve Ditko and Stan Lee from Strange Tales #141.

Daredevil Annual #2 also has a new cover by Sal Buscema with inks by possibly Buscema or Herb Trimpe. Ths issue reprints Daredevil #9 by Wally Wood (script, finished art) and Bob Powell (layouts) and #10 by Stan Lee (script), Powell (pencils) and Wood (inks).

This issue also features a full-page ad for Kid Colt Outlaw #151 with a new cover by Trimpe. Inside are three Kid Colt reprints from 1958 by Stan Lee, Jack Keller and Christopher Rule; Keller and an unidentified writer; and Lee and Joe Maneely. A fourth, non-series story is by artist George Woodbridge and an as-yet-unidentified writer.

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The issue’s finale is its “Ridin’ the Trail with Rawhide” letters page. Rozina Jaworski of Jamaica Plains, Massachusetts wants to see the return of the Lynx from issue #76 and suggests the villainess go after the Kid with all-woman band of outlaws.

Roland Rangno (no address given) is a big fan of the “Tales of Fort Rango” series in Western Gunfighters. He suggests:

Why not have a cavalry attack squad like Sgt. Fury and the Howlers except in the eighteen hundreds? You could have Major Brett Sabre as the commanding officer and some of the men of the fort as his detail. They could be telegraphed from Washington to do special assignments such as chasing border bandits, breaking up a spy-ring which consists of deserters and stopping Indian raids on small villages. Also, once in a while, you could have them defending a small outpost. How are these for ideas?

Finally, Diane Nagura of San Francisco believes “it’s time for the fairer sex to be heard from in Western comics” and adds:

Rawhide Kid has the cool combination of action, suspense and a little romance which every girl needs.

That’s a wrap for this week’s “Rawhide Kid Wednesday” feature. I’ll be back tomorrow with a new “Television Thursday” column.

© 2015 Tony Isabella

Tuesday, May 26, 2015

TWOMORROWS TUESDAY

The true Golden Age of Comics is right now. It’s a time when fans can read many of the great and not-so-great comic books of decades past in print or electronic form. It’s a time when great new comic books and graphic novels are being created in every genre you can imagine and from all around the world. It’s a time when dedicated comics historians are working tirelessly to discover and preserve the history of the art form and its creators.

TwoMorrows Publishing of Raleigh, North Carolina is a treasure in this most golden of comics ages. The company publishes some of the best magazines of comics history - Alter Ego, Back Issue, The Jack Kirby Collector - and the informative Draw! (The Professional “How-To” Magazine on Comics, Cartooning and Animation). The publisher’s catalog include books on comics history and comics creators. In a competitive field, TwoMorrows more than holds its own with all of the other publishers doing such great work in this area.

I’m currently reading Will Eisner: A Spirited Life (Deluxe Edition) by Bob Andelman [$39.95]. Andelman’s original book was a treasure. This hardcover deluxe edition is the Scrooge McDuck money bin of Eisner history and memorabilia.

Andelman spent three years interviewing Eisner for the first book.This edition adds hundreds of black-and-white and full-cover images to that work. There are new interviews with Drew Friedman, Howard Chaykin, Darwyn Cooke, Sergio Aragones, Michael Uslan and others, interviews “which clear the air on topics left unfinished by the first edition and add depth to the reader’s knowledge of Eisner’s body of work. There’s an introduction by Michael Chabon, followed by a foreword by Neal Adams.

What truly makes this expanded edition, just as it made the first edition, is Andelman’s quest to present a complete picture of Will Eisner, his works, his business savvy, his creative genius, and all the other elements and factors that made up the life of one of the greatest comics men of all time. I’m a little over a hundred pages into the book, savoring every chapter and interview, but I didn’t want to wait to recommend it to you. If you’re interested in comics history, if you’re a fan of Eisner’s work, this is a book you must add to your personal comics library.

I don’t know if an expanded edition of an existing work will still be eligible for next year’s comics industry awards, but, if it is, Will Eisner: A Spirited Life will get my votes. Why did it have to come out in the same year as the first in my series of kind of sort of memoirs? I knew I saw Joe Btfsplk hanging around my neighborhood last week!

Keep reading the bloggy thing for the latest on my kind of sort of memoir. Buy Andelman’s book today.

ISBN 978-1-60549-061-8

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Modern Masters Volume 30: Paolo Rivera [$15.95] is a recent entry in the long-running TwoMorrows series of books focusing on some of the best and brightest artists working in comics today. Each book in the series offers a lengthy interview with its subject covering their background, career, inspirations and working methods, as well as enough examples of their work to fill an art gallery.

Rivera grew up in an art store. He paints, he pencils, he inks, he colors and he sculpts. Though I’m a story guy first and foremost, I was fascinated by how he goes about creating his amazing single images and his comic-book pages. It’s illuminating to see how much thought he puts into his work.

Eric Nolen-Weathington has written dozens of books like this one. He is one of the best interviewers in comicdom and his skills makes each of these books a keeper. You’ll not go wrong buying this book or any of the other volumes in the series.

ISBN 978-1-60549-060-1

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Alter Ego is my favorite magazine about comics and Back Issue, its companion magazine, is high on the list as well. The May issues of these titles were a crossover celebrating 75 years of Green Lantern and the Flash.

Alter Ego focuses on the Golden and Silver ages of comics. Issue #132 [$8.95] kicks off with Kurt Mitchell’s entertaining and informative article on Flash, Green Lantern and a third super-star of the Golden and Silver Age, Hawkman. Those familiar with my own comics writing will recall I’m somewhat fond of the Winged Wonder. That’s followed by a remembrance of artist Arthur Peddy and a few more fragments of the missing Justice Society of America story that Alter Ego has been restoring bit by bit.

Michael T. Gilbert concludes his two-part article on Bob Powell’s The Man in Black Called Fate, piecing together the details on that character’s own lost issue. The issue also features an interview with Al Dellinges (the ultimate Joe Kubert fan), a memoriam for the great Al Feldstein of EC and MAD renown and a few pieces on Captain Marvel and other Fawcett Comics characters.

In Back Issue #80 [$8.95], comics historian John Wells picks up the adventures of the Flash and Green Lantern in the Bronze Age. There are several other articles on the two heroes, including one by Mark Waid and another by Paul Kupperberg. Closing out the issue is one final stroll though the various New York offices of DC Comics, now located in the Los Angeles area. I definitely don’t share any dewy nostalgia for DC or its offices - I generally refer to my time as a DC staffer as my “six months in Hell” - but most fans will enjoy the remembrances.

Alter Ego and Back Issue are must-reads for any fan or professional interested in the history of comics. Even as I strive to reduce my Vast Accumulation of Stuff, I know my runs of these magazines will have to be pried from my cold, dead hands.

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The five artists named on the cover of Draw! #30 [8.95] read like a wish list of artists any writer would be thrilled to work with: Chris Samnee, Butch Guice, regular columnist Jerry Ordway, editor-in-chief Mike Manley and Bret Blevins. The magazine’s audience is aspiring artists, but, as with the Modern Masters series, a writer can learn a lot from this publication about working with artists.

Leading off the issue, managing editor and designer Eric Nolen-Weathington interviews Samnee on cartooning in a field increasingly driven by photo-realism. Ordway writes about taking an image from your mind-s eye to the finished page. Manley interviews Guice about his latest work. Blevins and Manley offer a “Comic Art Bootcamp” on the drawing of the human ear. Columnist Jamar Nichols reviews the tools of the trade.

Draw! might not interest the casual student of comics. However, if you’re an artist or a writer looking to understand the artists he will be working with, it’s a valuable magazine.

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The Jack Kirby Collector
#64 [$10.95] is a “Kirby at War” issue and the most intense exploration of the artist’s life as a soldier and the comics which drew on those experiences I’ve ever seen. From the opening feature - a comics story visualization by Jean Depelley and artist Tom Scioli based on the often brutal combat Kirby saw during World War II - to interviews with people who knew Jack or some of his fellow soldiers to rare World War II art by Kirby to overviews of Kirby’s war comics, this issue is sometimes shocking, sometimes terrifying and always interesting. The best Kirby scholarship puts its emphasis on his incredible work and a life that mirrors so much of the American experience. That’s what this fantastic issue of The Jack Kirby Collector does and why I give it my recommendation.

That’s all for today. I’ll be back here tomorrow with another rip-roaring installment of our “Rawhide Kid Wednesday” series.

© 2015 Tony Isabella

Monday, May 25, 2015

TONY'S TIPS #109

This week in TONY'S TIPS at Tales of Wonder...I write about DC's Convergence event!