Previously in Tony Isabella’s Bloggy Thing...
The Rawhide Kid - the one created by Stan Lee and Jack Kirby, then
continued by Larry Lieber - is my favorite western character. So,
inspired by Essential Rawhide Kid Volume 1, which reprinted all the
Lee/Kirby issues and then some, I’ve been writing about the Rawhide
Kid most every Wednesday. When I ran out of the issues reprinted
in the book, I tracked down some owlhoots, brought them in and used
the reward money to buy more issues of the title. Because that’s
what the Kid would have done.
Awesome is the cover of The Rawhide Kid #47 [August 1965] with its
giant golden river boat and 21 figures in crazy motion: fighting,
shooting, falling, punching and riding the end of a gang plank like
it was a teetertotter. Penciled by Jack Kirby with inks by Frank
Giacoia, you just don’t see exciting covers like this on the comic
books of today. Heck, I reckon today’s hot artists couldn’t draw a
river boat if their lives depended on it, much less one with near
two dozen characters on it.
“The River Boat Raiders” by Larry Lieber (17 pages) brings back a
character last seen two issues ago in a barroom brawl with the Kid
and the Kid’s brother. It only took our hero a page to dispose of
Luther Cragg in issue #45's classic “Origin of the Rawhide Kid,”
but the martial arts mariner is a much more fearsome foe this time
around.
The story opens with Cragg using his incredible judo skills to take
over a steamboat. From the boat, Cragg directs a gang of owlhoots
who commit crimes on land and then escape to the safety of the boat
without the law being any wiser.
When the gang robs a bank, one of them recognizes Rawhide as “the
hombre (that) busted up muh gang back in Texas.” As the gang makes
its escape, he shouts out to the Kid, making the townspeople think
Rawhide planned the robbery. The Kid and his horse Nightwind can
easily outrun the citizens, but Rawhide reins in his trusty steed to
avoid running over a boy and his dog. The Kid soon finds himself
in a jail cell.
The gang returns to break Rawhide out of jail, figuring he’ll be a
good addition to their numbers. However, when Cragg sees the Kid,
letting bygones be bygones isn’t an option:
It’s you!! The only man who ever defeated Luther Cragg! I don’t
know what twist of fate brought us together again, but now I’ll
have my revenge!
Cragg is fast, but the Kid is a mite faster and it looks like this
fight will end as their first meeting did. However, Rawhide didn’t
reckon on a sneak attack with a paste pot by Gabbo, who is billed
on a poster as the world’s greatest ventriloquist. With his guns
drenched in paste, the Kid gets beat down by Cragg’s gang and ends
up in the brig with the boat’s legitimate captain and crew.
Cragg has multiple criminal enterprises going on. Gabbo performs
for an audience on the boat. Later that evening, Hugo, his dummy,
sneaks into the rooms of guests and steals their valuables. Hugo
is no dummy. He’s a dwarf disguised as a dummy.
Hugo is something of a tragic character who has made a bad decision
in teaming up with Gabbo. The only jobs Hugo could get were as a
performer in carnival freak shows and he doesn’t want to be a clown
for jeering audiences. He hates stealing from people, but he sees
no way out for himself. As you’ve seen in previous Lieber stories,
Stan’s kid brother was a master at creating supporting players who
were far more than typical western cliches.
Rawhide and the steamboat crew bust out of the brig. The fight is
on. One of Cragg’s gang prepares to draw down on Rawhide. Gabbo
uses a mirror to shine blinding sunlight into the Kid’s eyes. But
Hugo has had enough. He knocks the mirror out of Gabbo’s hand and
gives the Kid a chance to disarm the gang member. Hugo head-butts
Gabbo, dissolving their partnership.
Rawhide and Cragg face off. This time, it takes the Kid a page and
a half to beat the crooked captain. The real steamboat captain is
so grateful to Rawhide that, at the Kid’s request, he lets Hugo go
free. As Rawhide explains:
I’ve heard his story! He’s not bad like the others! He’s mostly a
victim of circumstance! And, since, he tried to save my life, I’d
like to help him earn a honest living! Where he’ll be respected by
folks! Not mocked because of his small size! I’ll teach Hugo to do
the one thing I know best!
After months of hard practice under the Rawhide Kid’s guidance,
Hugo debuts on the carnival circuit as “Hugo, the Master of Trick
Shooting.” The crowds are duly impressed.
The midget hasn’t missed once! He’s terrific!
He may be a midget, awright...but when he shoots, he’s ten feet
tall!!
Hugo has found the right trail and maybe, someday, the Rawhide Kid
will find his. Lieber’s art works will with his stories, but it’s
his writing that makes these stories so good.
Following the Rawhide Kid story, we get a page announcing the debut
of the new Nick Fury, Agent of S.H.I.E.L.D. series in Strange Tales
and the new Sub-Mariner series in Tales to Astonish. Say goodbye
to the Human Torch/Thing series in the former and Giant-Man and the
Wasp in the latter.
“They Called Him...Coward!” (5 pages) is the non-series story for
the issue. Written by Al Hartley, it’s a so-so tale of brothers.
One is a responsible farmer, the other his wild younger brother who
has fallen in with a bad crowd. That bad crowd kicks the unarmed
older brother out of the saloon, then starts shooting up the town.
The townspeople are afraid of them and they assume Big Brother is
as cowardly as they are. He isn’t. Using his farm-bred muscles,
he beats the crap out of them and teaches his younger brother one
of those valuable life lessons. Kid Brother dumps his guns to go
back to the family farm with his brother.
This story is penciled by Sol Brodsky and inked by Frank Giacoia.
The art’s Kirby influence shows that Brodsky, who could literally
do it all, was mastering the Marvel style. I often wonder what Sol
might have done if his other duties had left him more time to write
and draw comics for Marvel.
“The Merry Marvel Bullpen Page” has the usual pitch for the Merry
Marvel Marching Society and, for a mere buck-and-a-half a t-shirt
featuring Kid Colt, Two-Gun Kid, and the Rawhide Kid. We also get
the names of 25 MMMS members. I didn’t recognize any future comics
professionals in this listing, but one of the members was from my
birth home of Cleveland and three from other Ohio cities.
The “Riding the Trail with Rawhide” letters page has four letters
from readers. Matthew Perry of Sandusky Ohio praises Artie Simek
and Sam Rosen for their lettering.
The page also contains a plug for the new Nick Fury and Sub-Mariner
series and the usual Mighty Marvel Checklist. The most notable of
the month’s releases are X-Men #12 (the origin of Professor X) and
Fantastic Four #41 (with a disgruntled Thing ending up becoming a
pawn of the Frightful Four).
Happy trails to you, my friends, until our next Rawhide Wednesday.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Wednesday, February 6, 2013
Tuesday, February 5, 2013
THE PORT OF MISSING BADMEN
According to Wikipedia...
Allan "Rocky" Lane (September 22, 1909 – October 27, 1973) was an
American studio leading man and the star of many cowboy B-movies in
the 1940s and 1950s. He appeared in more than 125 films and TV
shows in a career lasting from 1929 to 1966. He also did the voice
of the talking horse on the television series Mister Ed, beginning
in 1961.
It’s likely I saw some of Lane’s movies when they aired on TV, but
I couldn’t tell you which ones if my life depended on it. I think
it’s more likely I saw his appearances on the Warner TV westerns of
the 1960s: Cheyenne, Bronco and Lawman. I loved Warner’s westerns
and detective shows. I definitely heard him as the voice of “the
famous Mister Ed,” but I remember tiring of that show within a few
episodes. If anyone in my family was watching it, I found a quiet
room somewhere to read my comics or the science fiction books I’d
borrow from the local library.
Published by Fawcett, Rocky Lane Western #32 is dated and hit the
newsstands in my birth month of December 1951. Fawcett published
55 issues of the title from May 1949 to January 1954. When Fawcett
closed its comics division, Charlton picked up the title and did 32
more issues from February 1954 to November 1959.
“The Port of Missing Badman” was a three-chapter adventure of 17.66
pages. The Grand Comics Database credits the art to Ralph Carlson,
but gives no writer credit. Here are the GCD synopsis for each of
the story’s three chapters...
1: A former jail bird and killer has set up a new business, making
up a new disguise for badmen after every job they pull, for a
price. Rocky finds the badman's "beauty" parlor.
2: Rocky has been disguised as a notorious outlaw when unconscious,
and is stopped by the Sheriff and his posse.
3: Rocky finds the hide-out of the disguised outlaws.
Rounding out the issue are: Dee Dickens in “Happy Days,” a 4-page
western humor comics story; “Murder on the Stage,” a 2-page text
story signed by Clement Good; a letters page; and Hoak and Poak in
“The Write Thing,” another 4-page western humor comics story. The
GCD has no artist or writer credits for either of these two comics
stories.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
If you’re expecting great art, craft and writing from Silver Streak
Archives Volume Two [Dark Horse; $59.99], you will be disappointed.
The handsome hardcover volume reprints issues #10-13 of the title
from 1941. That was early in the development of the comic book art
form with writers and artists still figuring how to make this new
venue work for them.
What readers will find - and why I consider the book a worthwhile
addition to my home comics library - is a wild inventiveness mixed
with a sometimes crude energy that delights me on an entertainment
level and for its historical value. I also enjoy the variety this
title offered with super-heroes, cowboys, inventors, pirates, cops
and pilots all represented with the pages of each of the volume’s
four collected issues.
The original Daredevil is the star of the book and his battles with
the gruesome Claw are even bigger than most super-hero adventures
of the era. In his final story of this volume, Daredevil contends
with the murderous Scarlet Skull. This villain bears more than a
passing resemblance to the Red Skull, who had made his debut just
a few months earlier in Captain America #1.
Captain Battle and Silver Streak are fun. I was amused by both of
them getting a kid sidekick in the same issue. Silver Streak was
still one up on the Captain, though, because the speedster also had
an eagle sidekick.
The Pirate Prince is a favorite of mine. His mission is to rescue
slaves being transported across the oceans. It’s more swashbuckler
than social commentary, but is still an amazingly forward concept
for a 1940s comics feature.
Dickie Dean, Boy Inventor is another of my Silver Streak favorites
as he uses his own clever devices to foil evil scientists. Maybe
not a blindingly original character, but still big fun.
The contributors to these Silver Streak issues include some of the
most legendary comics creators of the 1940s: Bob Wood, Jack Cole,
Fred Guardineer, Dick Briefer, Jack Binder and Don Rico. There’s
also a cool foreword by Michael T. Gilbert. It’s a well-made book
that will entertain you for many hours and it definitely earns my
recommendation.
ISBN 978-1-59582-948-1
******************************
Also from Dark Horse, we have Crime Does Not Pay Volume 3 [$49.99],
reprinting issues #30-33 [November 1943 to May 1944] of the best-
selling crime comic book of the 1940s. Of historical importance,
Alvin Hollingsworth’s “The Million Dollar Robbery” from issue #31
[January 1944] is possibly the first story in US comic-book history
drawn by an African-American artist.
With somewhat factual stories frequently narrated by the spectral
Mr. Crime, these issues featured real-life criminals as portrayed
by notable artists like Charles Biro, Bob Wood, Dick Briefer, Jack
Cole, Rudy Palais and a young Carmine Infantino. In particular, the
stories by Cole and Briefer practically leap from the pages with
their deceptively cartoonish appearance.
Crime Does Not Pay is a journal of its time, its existence born of
the American fascination with gangsters and killers, the very same
fascination that made the Dick Tracy comic strip such an incredible
success. Full-page scenes of mayhem and violence dramatically show
the difference between the American comic strip and comic book and
how the latter used its fluid layouts to great effect.
Putting on a time-stamp on these reprints, issue #33 [May 1944] has
an inside front cover message from publisher Lev Gleason explaining
how wartime paper shortages forced the title to reduce its page
count. To counter this, Gleason dropped Crime Does Not Pay’s usual
seven pages of paid advertising to give his readers almost as many
story pages as previously.
Crime Does Not Pay Volume 3 is another must-have for this student
of comics history and again gets my high recommendation.
ISBN 978-1-59582-997-9
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Allan "Rocky" Lane (September 22, 1909 – October 27, 1973) was an
American studio leading man and the star of many cowboy B-movies in
the 1940s and 1950s. He appeared in more than 125 films and TV
shows in a career lasting from 1929 to 1966. He also did the voice
of the talking horse on the television series Mister Ed, beginning
in 1961.
It’s likely I saw some of Lane’s movies when they aired on TV, but
I couldn’t tell you which ones if my life depended on it. I think
it’s more likely I saw his appearances on the Warner TV westerns of
the 1960s: Cheyenne, Bronco and Lawman. I loved Warner’s westerns
and detective shows. I definitely heard him as the voice of “the
famous Mister Ed,” but I remember tiring of that show within a few
episodes. If anyone in my family was watching it, I found a quiet
room somewhere to read my comics or the science fiction books I’d
borrow from the local library.
Published by Fawcett, Rocky Lane Western #32 is dated and hit the
newsstands in my birth month of December 1951. Fawcett published
55 issues of the title from May 1949 to January 1954. When Fawcett
closed its comics division, Charlton picked up the title and did 32
more issues from February 1954 to November 1959.
“The Port of Missing Badman” was a three-chapter adventure of 17.66
pages. The Grand Comics Database credits the art to Ralph Carlson,
but gives no writer credit. Here are the GCD synopsis for each of
the story’s three chapters...
1: A former jail bird and killer has set up a new business, making
up a new disguise for badmen after every job they pull, for a
price. Rocky finds the badman's "beauty" parlor.
2: Rocky has been disguised as a notorious outlaw when unconscious,
and is stopped by the Sheriff and his posse.
3: Rocky finds the hide-out of the disguised outlaws.
Rounding out the issue are: Dee Dickens in “Happy Days,” a 4-page
western humor comics story; “Murder on the Stage,” a 2-page text
story signed by Clement Good; a letters page; and Hoak and Poak in
“The Write Thing,” another 4-page western humor comics story. The
GCD has no artist or writer credits for either of these two comics
stories.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
If you’re expecting great art, craft and writing from Silver Streak
Archives Volume Two [Dark Horse; $59.99], you will be disappointed.
The handsome hardcover volume reprints issues #10-13 of the title
from 1941. That was early in the development of the comic book art
form with writers and artists still figuring how to make this new
venue work for them.
What readers will find - and why I consider the book a worthwhile
addition to my home comics library - is a wild inventiveness mixed
with a sometimes crude energy that delights me on an entertainment
level and for its historical value. I also enjoy the variety this
title offered with super-heroes, cowboys, inventors, pirates, cops
and pilots all represented with the pages of each of the volume’s
four collected issues.
The original Daredevil is the star of the book and his battles with
the gruesome Claw are even bigger than most super-hero adventures
of the era. In his final story of this volume, Daredevil contends
with the murderous Scarlet Skull. This villain bears more than a
passing resemblance to the Red Skull, who had made his debut just
a few months earlier in Captain America #1.
Captain Battle and Silver Streak are fun. I was amused by both of
them getting a kid sidekick in the same issue. Silver Streak was
still one up on the Captain, though, because the speedster also had
an eagle sidekick.
The Pirate Prince is a favorite of mine. His mission is to rescue
slaves being transported across the oceans. It’s more swashbuckler
than social commentary, but is still an amazingly forward concept
for a 1940s comics feature.
Dickie Dean, Boy Inventor is another of my Silver Streak favorites
as he uses his own clever devices to foil evil scientists. Maybe
not a blindingly original character, but still big fun.
The contributors to these Silver Streak issues include some of the
most legendary comics creators of the 1940s: Bob Wood, Jack Cole,
Fred Guardineer, Dick Briefer, Jack Binder and Don Rico. There’s
also a cool foreword by Michael T. Gilbert. It’s a well-made book
that will entertain you for many hours and it definitely earns my
recommendation.
ISBN 978-1-59582-948-1
******************************
Also from Dark Horse, we have Crime Does Not Pay Volume 3 [$49.99],
reprinting issues #30-33 [November 1943 to May 1944] of the best-
selling crime comic book of the 1940s. Of historical importance,
Alvin Hollingsworth’s “The Million Dollar Robbery” from issue #31
[January 1944] is possibly the first story in US comic-book history
drawn by an African-American artist.
With somewhat factual stories frequently narrated by the spectral
Mr. Crime, these issues featured real-life criminals as portrayed
by notable artists like Charles Biro, Bob Wood, Dick Briefer, Jack
Cole, Rudy Palais and a young Carmine Infantino. In particular, the
stories by Cole and Briefer practically leap from the pages with
their deceptively cartoonish appearance.
Crime Does Not Pay is a journal of its time, its existence born of
the American fascination with gangsters and killers, the very same
fascination that made the Dick Tracy comic strip such an incredible
success. Full-page scenes of mayhem and violence dramatically show
the difference between the American comic strip and comic book and
how the latter used its fluid layouts to great effect.
Putting on a time-stamp on these reprints, issue #33 [May 1944] has
an inside front cover message from publisher Lev Gleason explaining
how wartime paper shortages forced the title to reduce its page
count. To counter this, Gleason dropped Crime Does Not Pay’s usual
seven pages of paid advertising to give his readers almost as many
story pages as previously.
Crime Does Not Pay Volume 3 is another must-have for this student
of comics history and again gets my high recommendation.
ISBN 978-1-59582-997-9
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Monday, February 4, 2013
VAST ACCUMULATION OF STUFF SALE 2/4
Readers seem to enjoy photos of my Vast Accumulation of Stuff, so
here’s another one. These photos are all from 2009, so the areas
shown are different today than they were back then. In most cases,
they no longer look like scenes from Hoarders. In other cases, I
still have a lot of work to do.
Monday usually means new items for my ongoing Vast Accumulation of
Stuff sales and reduced prices on some previously unsold items.
That’s the case this week. Unsold items are eventually taken off
this list and will be part of my garage sales when they resume in
the spring. Weather permitting.
Here’s how my VAOS sales work...
First come, first serve. In other words, the quicker you e-mail me,
the better your chance of getting the item or items. Only e-mail
orders will be accepted and you should not send payment until you
get a confirmation e-mail from me. All listed items are in good or
better condition unless otherwise noted.
Let me stress that “e-mail only” rule. Most of the few mistakes I
have made in assembling/shipping orders have happened with orders
I accepted via phone or Facebook message. So...I’m not gonna break
my own rule anymore.
You should always include your mailing address with your orders.
That speeds up the packaging and the shipping.
Items will be shipped via United States Postal Service. There is
a $5 shipping/handling charge for up to four items via media mail.
Add $1 for every two additional items. Tracking numbers are sent to
buyers when their orders have been shipped. My shipping costs went
up this month, but I’m absorbing that additional expense for at
least the rest of February.
Payments are by check, money order or PayPal. My PayPal address is
the same as my email address. Purchases will generally be shipped
within a week of checks clearing, money orders received or PayPal
payments received.
Because this is a one-man operation done between family, household
and work responsibilities, these items are only available to buyers
within the United States and to APO buyers.
When you receive your order, please check it and let me know of any
omissions as soon as possible. I’ll be double-checking the orders
on my end, but, if there’s a problem, I want to make it right in a
timely fashion.
This week’s sale ends when the new sale goes up on Monday, February
11. While supplies last, all orders will receive a free signed copy
of an Isabella-written Hawkman comic book.
Here are this week’s new items...
AIR: LETTERS FROM LOST COUNTRIES by G. Willow Wilson & M.K. Parker [Vertigo; 2009]. Reprints issues #1-5. Softcover. $5
BATMAN: CACOPHONY by Kevin Smith and Walt Flanagan [DC; 2010]. Reprints three-issue series. Unsealed hardcover. $9
DOCTOR WHO CLASSICS VOLUME 2 [IDW; 2008]. Full-color reprints of stories written by Pat Mills, John Wagner and Steve Moore and drawn by Dave Gibbons. Softcover. $9
FANTASTIC FOUR: LOST ADVENTURES by Stan Lee, Jack Kirby and John Romita Jr. [Marvel; 2007]. Reprints The Last Fantastic Four Story, Fantastic Four: Lost, Fantastic Four #296 and #543. Softcover. $12
JEWS AND AMERICAN COMICS: AN ILLUSTRATED HISTORY OF AN AMERICAN ART FORM [New Press; 2008]. Edited by Paul Buhle. Hardcover. $14
JSA: PRINCES OF DARKNESS by Geoff Johns, David Goyer, Leonard Kirk and Don Kramer [DC; 2005]. Reprints issues #46-55. Softcover. $9
NEW EXILES: SOUL AWAKENING by Chris Claremont, Tom Grummett & Paco Diaz Luque [Marvel; 2008]. Reprints issues 7-12. Softcover. $7
PUNISHER NOIR BY Frank Tieri, Paul Azaceta & Antonio Fuso [Marvel; 2010]. Softcover graphic novel. $7
QUEEN & COUNTRY: OPERATIONAL MORNINGSTAR BY Greg Rucka and Brian Hurtt [Oni Press; 2002]. Collects issues #5-7 of the award-winning series. Softcover. $4
STAR TREK: ASSIGNMENT EARTH by John Byrne [IDW; 2008]. Reprints the five-issue series. Softcover. $9
SPIDER-MAN/MARY JANE: YOU JUST HIT THE JACKPOT! [Marvel; 2009]. Reprints material from Amazing Spider-Man #42, 43, 259, 290, 291, 292, 309, Untold Tales of Spider-Man #16, Amazing Spider-Man Annual #19, Amazing Spider-Man: Parallel Lives and Amazing Spider-Man #50 (1999). Softcover. $12
SUPERGIRL ARCHIVES VOLUME 1 [DC]. Reprints Supergirl stories from Action Comics #252-268 and more. Unsealed hardcover. $25
SUPERGIRL ARCHIVES VOLUME 2 [DC]. Reprints Supergirl stories from Action Comics #269-285. Unsealed hardcover. $25
UNDERWORLD MOVIE TRILOGY [IDW; 2008]. Reprints comics adaptations of movies Underworld, Underworld: Evolution and Underworld: Rise of the Lycans. Softcover. $9
WALKING DEAD BOOK THREE by Robert Kirkman & Charles Adlard [Image; 2007]. Reprints issues #25–36. Unsealed hardcover. $15
X-FACTOR: THE ONLY GAME IN TOWN by Peter David and Pablo Raimondi [Marvel, 2008]. Reprints X-Factor #28-32 and X-Factor: The Quick and the Dead. Softcover. $8
ZATANNA: THE MISTRESS OF MAGIC by Paul Dini and Stephanie Roux [DC; 2011]. Reprints issues #1-6. Softcover. $8
Here are this week’s previously offered items...
ART OF VAMPIRE KNIGHT: MATSURI HINO ILLUSTRATIONS [Viz Media/Shojo Beat; 2010]. Beautiful full-color oversized 9"x12" hardcover. $8
BACK ISSUE #8 [TwoMorrows; February 2005]. Black Super-Hero issue. Featuring a guest editorial by me. Signed on request. $5
BLADE: UNDEAD AGAIN by Marc Guggenheim and Howard Chaykin [Marvel; 2007]. Reprints issues #1-6. Softcover. $5
COMIC BOOK REBELS: CONVERSATIONS WITH CREATORS OF THE NEW COMICS by Stanley Wiater and Stephen R. Bissette [1993]. Interviews with such comics legends as Scott McCloud, Howard Cruse, Harvey Pekar, Alan Moore, Neil Gaiman, Dave Sim, Frank Miller and more. Softcover. $5
ESSENTIAL AVENGERS VOLUME 7 [Marvel; 2010]. Reprints issues #141- 163, Avengers Annual #6 and Super-Villain Team-Up #9, including two issues written by me. Signed on request. Softcover. $20
ESSENTIAL DAREDEVIL VOLUME 5 [Marvel; 2010]. Reprints issues #102-125 and Marvel Two-In-One #3, including five issues written by me. Softcover. $20
ESSENTIAL MOON KNIGHT VOLUME 3 [Marvel; 2010]. Reprints issues #31-38, Moon Knight: Fist of Khonshu #1-6 plus Moon Knight stories from Marvel Fanfare #39 & 38-39, Solo Avengers #3 and Marvel Super-Heroes #1, including two issues written by me. Signed on request. Softcover. $20
ELVIRA MISTRESS OF THE DARK #83-85 [Claypool Comics; 2000]. Three-issue back-up serial written by Tony Isabella. Signed on request. $7 for all three issues.
FANTASTIC FOUR VOL. 2: UNTHINKABLE by Mark Waid and Mike Wieringo [Marvel; 2003]. Reprints issues #500-502 plus Fantastic Four Vol. 3 #67-70. $5
FANTASTIC FOUR VOL. 4: HEREAFTER by Mark Waid and Mike Wieringo [Marvel; 2004]. Reprints issues #509-513. $3
FOUR WOMEN by Sam Kieth [Homage/DC; 2002]. Reprints issues #1-5. Softcover. $5
HARRY, THE RAT WITH WOMEN by Jules Feiffer [Fantagraphics, 2007]. Softcover. $4
JONNY DOUBLE by Brian Azzarello and Eduardo Risso [Vertigo, 1998]. Softcover. $4
JUSTICE SOCIETY OF AMERICA: THY KINGDOM COME PART ONE by Geoff Johns, Alex Ross and Dale Eaglesham. [DC; 2008]. Reprints issues #7-12. Softcover. $3
LALO Y LOLA/HI AND LOIS [King; 1974]. This is a flip comic book. On one side are Hi and Lois comics in English and, on the other side, the same comics in Spanish. $1
LINES OF CONTENTION: POLITICAL CARTOONS OF THE CIVIL WAR by J.G.Lewin and P.J. Huff [Collins; 2007]. Softcover. $2
MADMAN BOOGALOO STARRING NEXUS & THE JAM by Mike Allred, Mike Baron and Steve Rude. [Dark Horse; 1999]. Collects Nexus Meets Madman and issues one and two of Madman/the Jam. Softcover. $2
MADMAN: THE ODDITY ODYSSEY BY Mike Allred [Oni; 2002]. Collects the original Madman series published by Tundra. Softcover. $5
MAGUS #1-5 by Jon Price and Rebekah Isaacs [12-Gauge; 2010-2011]. “Where were you when the magic came back?” $2
MARVEL 70TH ANNIVERSARY COLLECTION [Marvel, 2009]. Collection of 19 stories from 1939-2007. Softcover. $3
MARVEL ADVENTURES FANTASTIC FOUR: SPACED CRUSADERS [Marvel; 2008]. Digest-sized reprint stories from issues #37-40. Softcover. $2
MARVEL ADVENTURES IRON MAN: ARMORED AVENGER by Fred Van Lante and others [Marvel; 2007]. Reprints various all ages Marvel Adventures and Free Comic Book Day stories in digest format. Softcover. $1
MARVEL COMICS IN THE 1970s: AN ISSUE BY ISSUE FIELD GUIDE TO A POP CULTURE PHENOMENON by Pierre Comtois [TwoMorrows; 2011]. Softcover. $10
MINIFIGURE CUSTOMIZATION: POPULATE YOUR WORLD by Jared K. Burks [TwoMorrows; 2011]. Shows wide range of techniques you can use to alter Lego Minifigure into any character. Softcover. $3
OFFICIAL OVERSTREET COMIC BOOK PRICE GUIDE #39 [Gemstone; 2009]. Cover features Captain America, Human Torch and Sub-Mariner] and is by Murphy Anderson after Alex Schomburg. Softcover. $4
PRO by Garth Ennis, Amanda Conner, Jimmy Palmiotti and Paul Mounts [Image; 2007]. Third printing. $1
RASL: THE DRIFT by Jeff Smith [Cartoon Books; 2008]. First volume of the sci-fi noir series by the creator of Bone. Oversized 9"x12" softcover. $4
RICHIE RICH. Four comic books featuring new and re-mastered tales. Richie Rich: Rich Rescue #5, Richie Rich Gems #44, Richie Rich Gems Valentine Special and Richie Rich Gems Winter Special. $2
SIDEKICKS: THE TRANSFER STUDENT by J. Torres and Takeshi Miyazawa [Oni, 2002]. Softcover. $2
SPEED RACER THE NEXT GENERATION ANIMATED VOLUME 1 by Justin Grey and Jimmy Palmiotti [IDW; 2008]. Digest-sized adaption of cartoon episodes. Softcover. $2
SPEED RACER THE NEXT GENERATION ANIMATED VOLUME 2 by various [IDW; 2008]. Digest-size adaptation of cartoon series. $1
SPIDER-MAN J: JAPANESE DAZE by Yamanaka Akira [Marvel; 2009]. All-ages digest-size softcover reprinting stories of Japanese Spider-Man from Spider-Man Family #7-12. $2
SPIDER-MAN NOIR by David Hine and Carmine DiGiandomenico [Marvel; 2009]. Softcover. $2
STAR TREK ARCHIVES VOL 2: BEST OF THE BORG by Michael Jan Friedman, Peter Krause, Paul Jenkins and Steve Erwin [IDW; 2008]. Reprints DC Star Trek The Next Generation #47-50. Softcover. $2
TERRY MOORE’S ECHO: DESERT RUN [Abstract Studios; 2009]. Reprints issues #11-15. Softcover. $5
THIS IS A SOUVENIR: THE SONGS OF SPEARMINT & SHIRLEY LEE [Image; 2009]. “An anthology showcasing re-interpretations of the songs of British indie group Spearmint and singer/songwriter Shirley Lee by some of the most unique voices in comics today.” Includes Kieron Gillian, Jamie McKelvie, Salgood Sam and others. Oversized (just under 12"x12" softcover. $10
TRANSFORMERS MOVIE SEQUEL: THE RETURN OF STARSCREAM BY Chris Mowry and Alex Milne [IDW; 2008]. Reprints issues #1-5. Softcover. $2
X-CLUB #1-5 BY Simon Spurrier and Paul Davidson [Marvel; 2012]. $2
YOUNGBLOOD VOLUME 1: FOCUS TESTED by Joe Casey and Derec Donovan [Image; 2008]. Reprints issue #1-4 of revived series. Softcover. $2
YOUNG X-MEN: FINAL GENESIS by Marc Guggenheim and Yanick Paquette [Marvel; 2008]. Reprints issues #1-5. $2
Thanks for your patronage.
Tony Isabella
here’s another one. These photos are all from 2009, so the areas
shown are different today than they were back then. In most cases,
they no longer look like scenes from Hoarders. In other cases, I
still have a lot of work to do.
Monday usually means new items for my ongoing Vast Accumulation of
Stuff sales and reduced prices on some previously unsold items.
That’s the case this week. Unsold items are eventually taken off
this list and will be part of my garage sales when they resume in
the spring. Weather permitting.
Here’s how my VAOS sales work...
First come, first serve. In other words, the quicker you e-mail me,
the better your chance of getting the item or items. Only e-mail
orders will be accepted and you should not send payment until you
get a confirmation e-mail from me. All listed items are in good or
better condition unless otherwise noted.
Let me stress that “e-mail only” rule. Most of the few mistakes I
have made in assembling/shipping orders have happened with orders
I accepted via phone or Facebook message. So...I’m not gonna break
my own rule anymore.
You should always include your mailing address with your orders.
That speeds up the packaging and the shipping.
Items will be shipped via United States Postal Service. There is
a $5 shipping/handling charge for up to four items via media mail.
Add $1 for every two additional items. Tracking numbers are sent to
buyers when their orders have been shipped. My shipping costs went
up this month, but I’m absorbing that additional expense for at
least the rest of February.
Payments are by check, money order or PayPal. My PayPal address is
the same as my email address. Purchases will generally be shipped
within a week of checks clearing, money orders received or PayPal
payments received.
Because this is a one-man operation done between family, household
and work responsibilities, these items are only available to buyers
within the United States and to APO buyers.
When you receive your order, please check it and let me know of any
omissions as soon as possible. I’ll be double-checking the orders
on my end, but, if there’s a problem, I want to make it right in a
timely fashion.
This week’s sale ends when the new sale goes up on Monday, February
11. While supplies last, all orders will receive a free signed copy
of an Isabella-written Hawkman comic book.
Here are this week’s new items...
AIR: LETTERS FROM LOST COUNTRIES by G. Willow Wilson & M.K. Parker [Vertigo; 2009]. Reprints issues #1-5. Softcover. $5
BATMAN: CACOPHONY by Kevin Smith and Walt Flanagan [DC; 2010]. Reprints three-issue series. Unsealed hardcover. $9
DOCTOR WHO CLASSICS VOLUME 2 [IDW; 2008]. Full-color reprints of stories written by Pat Mills, John Wagner and Steve Moore and drawn by Dave Gibbons. Softcover. $9
FANTASTIC FOUR: LOST ADVENTURES by Stan Lee, Jack Kirby and John Romita Jr. [Marvel; 2007]. Reprints The Last Fantastic Four Story, Fantastic Four: Lost, Fantastic Four #296 and #543. Softcover. $12
JEWS AND AMERICAN COMICS: AN ILLUSTRATED HISTORY OF AN AMERICAN ART FORM [New Press; 2008]. Edited by Paul Buhle. Hardcover. $14
JSA: PRINCES OF DARKNESS by Geoff Johns, David Goyer, Leonard Kirk and Don Kramer [DC; 2005]. Reprints issues #46-55. Softcover. $9
NEW EXILES: SOUL AWAKENING by Chris Claremont, Tom Grummett & Paco Diaz Luque [Marvel; 2008]. Reprints issues 7-12. Softcover. $7
PUNISHER NOIR BY Frank Tieri, Paul Azaceta & Antonio Fuso [Marvel; 2010]. Softcover graphic novel. $7
QUEEN & COUNTRY: OPERATIONAL MORNINGSTAR BY Greg Rucka and Brian Hurtt [Oni Press; 2002]. Collects issues #5-7 of the award-winning series. Softcover. $4
STAR TREK: ASSIGNMENT EARTH by John Byrne [IDW; 2008]. Reprints the five-issue series. Softcover. $9
SPIDER-MAN/MARY JANE: YOU JUST HIT THE JACKPOT! [Marvel; 2009]. Reprints material from Amazing Spider-Man #42, 43, 259, 290, 291, 292, 309, Untold Tales of Spider-Man #16, Amazing Spider-Man Annual #19, Amazing Spider-Man: Parallel Lives and Amazing Spider-Man #50 (1999). Softcover. $12
SUPERGIRL ARCHIVES VOLUME 1 [DC]. Reprints Supergirl stories from Action Comics #252-268 and more. Unsealed hardcover. $25
SUPERGIRL ARCHIVES VOLUME 2 [DC]. Reprints Supergirl stories from Action Comics #269-285. Unsealed hardcover. $25
UNDERWORLD MOVIE TRILOGY [IDW; 2008]. Reprints comics adaptations of movies Underworld, Underworld: Evolution and Underworld: Rise of the Lycans. Softcover. $9
WALKING DEAD BOOK THREE by Robert Kirkman & Charles Adlard [Image; 2007]. Reprints issues #25–36. Unsealed hardcover. $15
X-FACTOR: THE ONLY GAME IN TOWN by Peter David and Pablo Raimondi [Marvel, 2008]. Reprints X-Factor #28-32 and X-Factor: The Quick and the Dead. Softcover. $8
ZATANNA: THE MISTRESS OF MAGIC by Paul Dini and Stephanie Roux [DC; 2011]. Reprints issues #1-6. Softcover. $8
Here are this week’s previously offered items...
ART OF VAMPIRE KNIGHT: MATSURI HINO ILLUSTRATIONS [Viz Media/Shojo Beat; 2010]. Beautiful full-color oversized 9"x12" hardcover. $8
BACK ISSUE #8 [TwoMorrows; February 2005]. Black Super-Hero issue. Featuring a guest editorial by me. Signed on request. $5
BLADE: UNDEAD AGAIN by Marc Guggenheim and Howard Chaykin [Marvel; 2007]. Reprints issues #1-6. Softcover. $5
COMIC BOOK REBELS: CONVERSATIONS WITH CREATORS OF THE NEW COMICS by Stanley Wiater and Stephen R. Bissette [1993]. Interviews with such comics legends as Scott McCloud, Howard Cruse, Harvey Pekar, Alan Moore, Neil Gaiman, Dave Sim, Frank Miller and more. Softcover. $5
ESSENTIAL AVENGERS VOLUME 7 [Marvel; 2010]. Reprints issues #141- 163, Avengers Annual #6 and Super-Villain Team-Up #9, including two issues written by me. Signed on request. Softcover. $20
ESSENTIAL DAREDEVIL VOLUME 5 [Marvel; 2010]. Reprints issues #102-125 and Marvel Two-In-One #3, including five issues written by me. Softcover. $20
ESSENTIAL MOON KNIGHT VOLUME 3 [Marvel; 2010]. Reprints issues #31-38, Moon Knight: Fist of Khonshu #1-6 plus Moon Knight stories from Marvel Fanfare #39 & 38-39, Solo Avengers #3 and Marvel Super-Heroes #1, including two issues written by me. Signed on request. Softcover. $20
ELVIRA MISTRESS OF THE DARK #83-85 [Claypool Comics; 2000]. Three-issue back-up serial written by Tony Isabella. Signed on request. $7 for all three issues.
FANTASTIC FOUR VOL. 2: UNTHINKABLE by Mark Waid and Mike Wieringo [Marvel; 2003]. Reprints issues #500-502 plus Fantastic Four Vol. 3 #67-70. $5
FANTASTIC FOUR VOL. 4: HEREAFTER by Mark Waid and Mike Wieringo [Marvel; 2004]. Reprints issues #509-513. $3
FOUR WOMEN by Sam Kieth [Homage/DC; 2002]. Reprints issues #1-5. Softcover. $5
HARRY, THE RAT WITH WOMEN by Jules Feiffer [Fantagraphics, 2007]. Softcover. $4
JONNY DOUBLE by Brian Azzarello and Eduardo Risso [Vertigo, 1998]. Softcover. $4
JUSTICE SOCIETY OF AMERICA: THY KINGDOM COME PART ONE by Geoff Johns, Alex Ross and Dale Eaglesham. [DC; 2008]. Reprints issues #7-12. Softcover. $3
LALO Y LOLA/HI AND LOIS [King; 1974]. This is a flip comic book. On one side are Hi and Lois comics in English and, on the other side, the same comics in Spanish. $1
LINES OF CONTENTION: POLITICAL CARTOONS OF THE CIVIL WAR by J.G.Lewin and P.J. Huff [Collins; 2007]. Softcover. $2
MADMAN BOOGALOO STARRING NEXUS & THE JAM by Mike Allred, Mike Baron and Steve Rude. [Dark Horse; 1999]. Collects Nexus Meets Madman and issues one and two of Madman/the Jam. Softcover. $2
MADMAN: THE ODDITY ODYSSEY BY Mike Allred [Oni; 2002]. Collects the original Madman series published by Tundra. Softcover. $5
MAGUS #1-5 by Jon Price and Rebekah Isaacs [12-Gauge; 2010-2011]. “Where were you when the magic came back?” $2
MARVEL 70TH ANNIVERSARY COLLECTION [Marvel, 2009]. Collection of 19 stories from 1939-2007. Softcover. $3
MARVEL ADVENTURES FANTASTIC FOUR: SPACED CRUSADERS [Marvel; 2008]. Digest-sized reprint stories from issues #37-40. Softcover. $2
MARVEL ADVENTURES IRON MAN: ARMORED AVENGER by Fred Van Lante and others [Marvel; 2007]. Reprints various all ages Marvel Adventures and Free Comic Book Day stories in digest format. Softcover. $1
MARVEL COMICS IN THE 1970s: AN ISSUE BY ISSUE FIELD GUIDE TO A POP CULTURE PHENOMENON by Pierre Comtois [TwoMorrows; 2011]. Softcover. $10
MINIFIGURE CUSTOMIZATION: POPULATE YOUR WORLD by Jared K. Burks [TwoMorrows; 2011]. Shows wide range of techniques you can use to alter Lego Minifigure into any character. Softcover. $3
OFFICIAL OVERSTREET COMIC BOOK PRICE GUIDE #39 [Gemstone; 2009]. Cover features Captain America, Human Torch and Sub-Mariner] and is by Murphy Anderson after Alex Schomburg. Softcover. $4
PRO by Garth Ennis, Amanda Conner, Jimmy Palmiotti and Paul Mounts [Image; 2007]. Third printing. $1
RASL: THE DRIFT by Jeff Smith [Cartoon Books; 2008]. First volume of the sci-fi noir series by the creator of Bone. Oversized 9"x12" softcover. $4
RICHIE RICH. Four comic books featuring new and re-mastered tales. Richie Rich: Rich Rescue #5, Richie Rich Gems #44, Richie Rich Gems Valentine Special and Richie Rich Gems Winter Special. $2
SIDEKICKS: THE TRANSFER STUDENT by J. Torres and Takeshi Miyazawa [Oni, 2002]. Softcover. $2
SPEED RACER THE NEXT GENERATION ANIMATED VOLUME 1 by Justin Grey and Jimmy Palmiotti [IDW; 2008]. Digest-sized adaption of cartoon episodes. Softcover. $2
SPEED RACER THE NEXT GENERATION ANIMATED VOLUME 2 by various [IDW; 2008]. Digest-size adaptation of cartoon series. $1
SPIDER-MAN J: JAPANESE DAZE by Yamanaka Akira [Marvel; 2009]. All-ages digest-size softcover reprinting stories of Japanese Spider-Man from Spider-Man Family #7-12. $2
SPIDER-MAN NOIR by David Hine and Carmine DiGiandomenico [Marvel; 2009]. Softcover. $2
STAR TREK ARCHIVES VOL 2: BEST OF THE BORG by Michael Jan Friedman, Peter Krause, Paul Jenkins and Steve Erwin [IDW; 2008]. Reprints DC Star Trek The Next Generation #47-50. Softcover. $2
TERRY MOORE’S ECHO: DESERT RUN [Abstract Studios; 2009]. Reprints issues #11-15. Softcover. $5
THIS IS A SOUVENIR: THE SONGS OF SPEARMINT & SHIRLEY LEE [Image; 2009]. “An anthology showcasing re-interpretations of the songs of British indie group Spearmint and singer/songwriter Shirley Lee by some of the most unique voices in comics today.” Includes Kieron Gillian, Jamie McKelvie, Salgood Sam and others. Oversized (just under 12"x12" softcover. $10
TRANSFORMERS MOVIE SEQUEL: THE RETURN OF STARSCREAM BY Chris Mowry and Alex Milne [IDW; 2008]. Reprints issues #1-5. Softcover. $2
X-CLUB #1-5 BY Simon Spurrier and Paul Davidson [Marvel; 2012]. $2
YOUNGBLOOD VOLUME 1: FOCUS TESTED by Joe Casey and Derec Donovan [Image; 2008]. Reprints issue #1-4 of revived series. Softcover. $2
YOUNG X-MEN: FINAL GENESIS by Marc Guggenheim and Yanick Paquette [Marvel; 2008]. Reprints issues #1-5. $2
Thanks for your patronage.
Tony Isabella
RED RYDER
Red Ryder Comics #103 [February 1952] hit the stands in the month
of my birthday, December 1951. The Grand Comics Database doesn’t
have any information on the issue, but here’s a couple paragraphs
lifted from Wikipedia:
Red Ryder was a popular long-running Western comic strip created by
Stephen Slesinger and artist Fred Harman. Beginning Sunday,
November 6, 1938, Red Ryder was syndicated by Newspaper Enterprise
Association, expanding over the following decade to 750 newspapers,
translations into ten languages and a readership in the United
States of 14 million. The 26-year run of the strip came to an end
in 1964.
The first Red Ryder comic book was published by Slesinger's Hawley
Publications, Inc. in September 1940, followed by Hi-Spot Comics
for one issue. Dell Comics launched its Red Ryder in August 1941,
changing its title to Red Ryder Ranch Magazine with #145, and then
to Red Ryder Ranch Comics with #149. Red Ryder Comics consisted of
reprints of the newspaper strip until issue #47 (June 1947), when
it began producing original material. Altogether, the title ran for
a total of 151 issues, ending in 1957, one of the longest
continuous newsstand runs of any Western comic.
Red Ryder had his own radio show and also starred in 35 movies and
serials. Though two pilots were shot for a TV series, the cowboy
hero never got his own show. However, he did inspire a buttload of
toys and other merchandise including the “Red Ryder Carbine-Action
Two-Hundred-Shot Range Model Air Rifle BB gun” that figured so
famously in the 1983 film A Christmas Story.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
One of the most popular features in Comics Buyer’s Guide was “Top
10 Favorite Comic-Book Covers,” written by a different contributor
or professional every month. As one of their final F&W projects,
editors Maggie Thompson and Brent Frankenhoff put together a book
that tops that feature by a couple hundred covers.
The Greatest Comic Book Covers of All Time [F&W Media; $8.99] gives
readers some 60 full-color shiny pages of covers that “stopped you
in your tracks when you saw [them] in the store” and, for each of
the selections, a line or two of description. The book is divided
into two-page chapters like “80's Excitement,” “Let’s You and Him
Fight” and “Got Innuendo?” Each chapter also has a clever quote by
a comics commentator or professional. Yours truly is quoted a few
times with said quotes coming from 1000 Comic Books You Must Read.
But I’d recommend the book even without those quotes.
On a related note, the Wednesday’s Heroes website is also trying to
keep the “top ten covers” fun going. Every Friday, the site offers
a new list of ten covers selected by a different contributor to the
website. I’m enjoying the feature and recommend it to you.
******************************
In other online stuff...
Over at the Comics Related website, David Brashear writes about my
1980s run on Hawkman. There’s also a brief interview with me. You
can read about the column and interview here.
At Comics Attack, Ken Meyer Jr. writes about great fanzines of the
past. In his latest column, he wrote about Gary Groth’s Fantastic
Fanzine Special #2. Back in the day, the day between 1972 or so,
I used to be a regular contributor to Groth’s zine. By the time of
this special issue, due to a falling out between Groth and myself,
I had stopped writing for the zine. This special makes a cryptic
reference to that.
Much to my surprise, Meyer asked Groth about that reference and got
an answer and an apology for Gary’s actions at the time. I don’t
know if I’ve written about that situation before, but I think it’d
be good for one of those “lessons from Tony’s life” pieces that my
bloggy readers love. I’ll try to get to it later this month after
I search my memory and records for more details.
Groth’s Fantastic Fanzine was one of the best zines of its times,
very different from the also excellent Comics Journal. You should
check out Meyer’s column here.
In the meantime, though this is the first time Gary apologizes for
his actions, he and I got past that a long time ago. I even took
my Everett True cartoons to Amazing Heroes and Comics Journal
when I felt restricted by Comics Buyer’s Guide.
Two other comics people are mentioned in Groth’s comments as well.
As far as I know, we’re all okay as well. In fact, when I lived in
New York in the 1970s, one of them offered me a job. I’ll tell you
all about it in the near future.
Want to see a photo of me from back in those days? Check out Sean
Howe’s Marvel Comics The Untold Story blog here.
******************************
Some personal notes:
With the help of Sainted Wife Barb and son Eddie, my ancient file
cabinet has been moved up two flights of stairs and now stands in
my office. It’s five feet tall and constructed of adamantium. Or
something very close to that metal. In case of nuclear attack, I
plan to pull out the drawers and live inside it.
Now begins what will probably be the slow task of going through a
dozen or so boxes of new and old files. Any files that could be of
near future value will go into the file cabinet. Some files will
be returned to the boxes until I buy a second file cabinet of equal
size and endurance. Some files - and I’m kind of hoping this will
be a lot of files - will go into the recycle bin or shredder. Note
to self: buy a shredder.
What this means for the bloggy thing is that I will eventually have
quick access to all sorts of amazing stuff from my past. You can
expect more trips down memory lane in the future...and maybe even
some choice stuff showing up in my online sales.
Speaking of those online sales, in a few hours from now, I will be
post this week’s Vast Accumulation of Stuff Sale. As always, your
orders are appreciated.
Finally, I’m working on this year’s Tony Isabella convention list.
The biggie will be Comic-Con International in San Diego, but there
will be at least three other appearances this year.
If you’re a convention promoter and would like me as a guest at an
event, e-mail me. You should expect to cover my hotel and travel
expenses...and provide me with a table for signing and selling my
work and other items. Naturally, I will promote these convention
appearances in this bloggy thing and in the other venues available
to me.
That’s it for today. I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
of my birthday, December 1951. The Grand Comics Database doesn’t
have any information on the issue, but here’s a couple paragraphs
lifted from Wikipedia:
Red Ryder was a popular long-running Western comic strip created by
Stephen Slesinger and artist Fred Harman. Beginning Sunday,
November 6, 1938, Red Ryder was syndicated by Newspaper Enterprise
Association, expanding over the following decade to 750 newspapers,
translations into ten languages and a readership in the United
States of 14 million. The 26-year run of the strip came to an end
in 1964.
The first Red Ryder comic book was published by Slesinger's Hawley
Publications, Inc. in September 1940, followed by Hi-Spot Comics
for one issue. Dell Comics launched its Red Ryder in August 1941,
changing its title to Red Ryder Ranch Magazine with #145, and then
to Red Ryder Ranch Comics with #149. Red Ryder Comics consisted of
reprints of the newspaper strip until issue #47 (June 1947), when
it began producing original material. Altogether, the title ran for
a total of 151 issues, ending in 1957, one of the longest
continuous newsstand runs of any Western comic.
Red Ryder had his own radio show and also starred in 35 movies and
serials. Though two pilots were shot for a TV series, the cowboy
hero never got his own show. However, he did inspire a buttload of
toys and other merchandise including the “Red Ryder Carbine-Action
Two-Hundred-Shot Range Model Air Rifle BB gun” that figured so
famously in the 1983 film A Christmas Story.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
One of the most popular features in Comics Buyer’s Guide was “Top
10 Favorite Comic-Book Covers,” written by a different contributor
or professional every month. As one of their final F&W projects,
editors Maggie Thompson and Brent Frankenhoff put together a book
that tops that feature by a couple hundred covers.
The Greatest Comic Book Covers of All Time [F&W Media; $8.99] gives
readers some 60 full-color shiny pages of covers that “stopped you
in your tracks when you saw [them] in the store” and, for each of
the selections, a line or two of description. The book is divided
into two-page chapters like “80's Excitement,” “Let’s You and Him
Fight” and “Got Innuendo?” Each chapter also has a clever quote by
a comics commentator or professional. Yours truly is quoted a few
times with said quotes coming from 1000 Comic Books You Must Read.
But I’d recommend the book even without those quotes.
On a related note, the Wednesday’s Heroes website is also trying to
keep the “top ten covers” fun going. Every Friday, the site offers
a new list of ten covers selected by a different contributor to the
website. I’m enjoying the feature and recommend it to you.
******************************
In other online stuff...
Over at the Comics Related website, David Brashear writes about my
1980s run on Hawkman. There’s also a brief interview with me. You
can read about the column and interview here.
At Comics Attack, Ken Meyer Jr. writes about great fanzines of the
past. In his latest column, he wrote about Gary Groth’s Fantastic
Fanzine Special #2. Back in the day, the day between 1972 or so,
I used to be a regular contributor to Groth’s zine. By the time of
this special issue, due to a falling out between Groth and myself,
I had stopped writing for the zine. This special makes a cryptic
reference to that.
Much to my surprise, Meyer asked Groth about that reference and got
an answer and an apology for Gary’s actions at the time. I don’t
know if I’ve written about that situation before, but I think it’d
be good for one of those “lessons from Tony’s life” pieces that my
bloggy readers love. I’ll try to get to it later this month after
I search my memory and records for more details.
Groth’s Fantastic Fanzine was one of the best zines of its times,
very different from the also excellent Comics Journal. You should
check out Meyer’s column here.
In the meantime, though this is the first time Gary apologizes for
his actions, he and I got past that a long time ago. I even took
my Everett True cartoons to Amazing Heroes and Comics Journal
when I felt restricted by Comics Buyer’s Guide.
Two other comics people are mentioned in Groth’s comments as well.
As far as I know, we’re all okay as well. In fact, when I lived in
New York in the 1970s, one of them offered me a job. I’ll tell you
all about it in the near future.
Want to see a photo of me from back in those days? Check out Sean
Howe’s Marvel Comics The Untold Story blog here.
******************************
Some personal notes:
With the help of Sainted Wife Barb and son Eddie, my ancient file
cabinet has been moved up two flights of stairs and now stands in
my office. It’s five feet tall and constructed of adamantium. Or
something very close to that metal. In case of nuclear attack, I
plan to pull out the drawers and live inside it.
Now begins what will probably be the slow task of going through a
dozen or so boxes of new and old files. Any files that could be of
near future value will go into the file cabinet. Some files will
be returned to the boxes until I buy a second file cabinet of equal
size and endurance. Some files - and I’m kind of hoping this will
be a lot of files - will go into the recycle bin or shredder. Note
to self: buy a shredder.
What this means for the bloggy thing is that I will eventually have
quick access to all sorts of amazing stuff from my past. You can
expect more trips down memory lane in the future...and maybe even
some choice stuff showing up in my online sales.
Speaking of those online sales, in a few hours from now, I will be
post this week’s Vast Accumulation of Stuff Sale. As always, your
orders are appreciated.
Finally, I’m working on this year’s Tony Isabella convention list.
The biggie will be Comic-Con International in San Diego, but there
will be at least three other appearances this year.
If you’re a convention promoter and would like me as a guest at an
event, e-mail me. You should expect to cover my hotel and travel
expenses...and provide me with a table for signing and selling my
work and other items. Naturally, I will promote these convention
appearances in this bloggy thing and in the other venues available
to me.
That’s it for today. I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Sunday, February 3, 2013
DESE BOOTS ARE MADE FOR WALKING
Real Screen Comics #47 [February 1952] appeared on newsstands in my
birth month of December 1951. It starred and cover-featured “The
Fox and the Crow.”
Fun fact: “Fox and Crow” were the stage names used by Sean Hannity
and Wayne LaPierre when performing in live sex shows in Thailand.
One of their routines was eerily similar to the scene shown on this
comic-book cover.
I don’t know the identities of the kid and the burro whose floating
heads are over the logo. I’m gonna guess a very young John Boehner
and Michelle Bachman before her species-change operation. But I’m
open to other suggestions.
This is what happens when the wonderful Grand Comics Database has
no information on an issue of a comic book. If you have any actual
information on this issue, please send it to me and also to them.
Share the knowledge.
My apologies to my pals Sean, Wayne, John and Michelle for making
light of them in such a churlish fashion. I’ll never forget those
great nights around the bonfire. We were young, it was college and
experimentation was part of the scene. Except for the rash, I have
no regrets and I still remember you all fondly.
No burros were harmed in the writing of this blog.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
Batman The Dark Knight Returns Part 1 [Warner Home Video; 2012] and
Batman The Dark Knight Returns Part 2 [Warner Home Video; 2013] are
animated, incredibly faithful adaptations of the 1986 graphic novel
by Frank Miller and Klaus Janson. I bought the $24.99 combo packs
of a Blu-Ray disc, a DVD disc and the code for a digital download.
As I write this, Amazon currently has these packs priced at $17.99
and $13.99. It’s been several years since I’ve read the original
graphic novel, but this adaptation carries the same emotional and
visual impact as the original.
A quarter of a century after its first appearance, Miller’s story
still packs a punch. Amusingly, what I originally saw as a parody
of Reagan-era politics, now seems to be sad reflection of Miller’s
own extreme right-wing beliefs. But the strength of the story and
the characters is such that the echo doesn’t diminish my regard for
the original work. The visuals are stunning and, because they now
launch across the screen, even more powerful than they were in the
graphic novel.
The voice acting is terrific. Peter Weller’s Bruce Wayne is angry,
weary and borderline crazy. Ariel Winter plays Carrie Kelley as a
confident and determined sprite. Michael Emerson’s Joker is just
flat out terrifying.
Splitting Miller’s graphic novel into two halves works. The break
between the parts is a natural one. The movie is rated PG-13, but
I would caution you that the violence really hits home in a way not
even Miller could manage on the printed page. This is not a Batman
story for young children.
Batman The Dark Knight Returns is definitely worth watching. After
watching about half of the first part on the damaged DVD that came
from my local library, I decided it was also worth buying. I think
this is a film I’ll want to see again.
******************************
My opinion of DC’s “New 52" universe seems to drop more with each
new title I catch up on. I recently read all the Superman family
titles I had on hand.
Superman Family Adventures by Art Baltazar and Franco was the most
consistently enjoyable title. Charming, clever, fun and pleasant.
Naturally, it’s been cancelled.
Grant Morrison’s Superman stories in Action Comics have been good
to excellent with the return of Krypto being a particularly big bag
of spiffy. Morrison is going to be a tough act to follow.
Of the remaining Superman family titles, Superman has been readable
at best and hasn’t managed that of late. Supergirl has had a few
good moments, but not enough to keep me interested. Superboy has
been the worst of the bunch. In the future, unless I hear any of
these three titles has improved dramatically, I’ll likely do little
more than skim through them.
Superman deserves better. Then again, so did Superman’s creators
and their families and we all know how that turned out.
******************************
One more for the road...and it would have to be a long road for you
to read Scary Monsters Magazine #84 [October 2012; $8.95]. Edited
and published by Dennis Druktenis, this 21st anniversary issue is
164 pages of spooky spectacular. True, 30 of those pages contain
advertising, but even those pages are fun. We’ll talk about them
in a bit.
This issue’s cover feature is White Zombie, the 1932 movie starring
Bela Lugosi as voodoo master Murder Legendre. Is that an amazing
name for a villain or what?
The issue is packed with great articles and photos. Giant gorilla
Konga’s career in comic books and his one movie is covered. There
are articles on Halloween drive-in movie advertising of the past,
on monster movie conventions, on monster movie hosts, on the late
Jonathan Frid and many others. The writing is of high quality and
there are dozens of cool photos to accompany it. It takes me about
a month and a half to read an issue of this quarterly magazine on
account of I like to savor it.
That advertising section? It reminds of the advertising section in
the Famous Monsters of Filmland magazines of my youth. It’s packed
with all sorts of wondrous things and, if funds were not so tight,
I could do some real damage to my checking account.
If you’re a fan of classic and not-so-classic monster and horror
films, you’ll enjoy Scary Monsters Magazine. I recommend it most
highly.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
birth month of December 1951. It starred and cover-featured “The
Fox and the Crow.”
Fun fact: “Fox and Crow” were the stage names used by Sean Hannity
and Wayne LaPierre when performing in live sex shows in Thailand.
One of their routines was eerily similar to the scene shown on this
comic-book cover.
I don’t know the identities of the kid and the burro whose floating
heads are over the logo. I’m gonna guess a very young John Boehner
and Michelle Bachman before her species-change operation. But I’m
open to other suggestions.
This is what happens when the wonderful Grand Comics Database has
no information on an issue of a comic book. If you have any actual
information on this issue, please send it to me and also to them.
Share the knowledge.
My apologies to my pals Sean, Wayne, John and Michelle for making
light of them in such a churlish fashion. I’ll never forget those
great nights around the bonfire. We were young, it was college and
experimentation was part of the scene. Except for the rash, I have
no regrets and I still remember you all fondly.
No burros were harmed in the writing of this blog.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
Batman The Dark Knight Returns Part 1 [Warner Home Video; 2012] and
Batman The Dark Knight Returns Part 2 [Warner Home Video; 2013] are
animated, incredibly faithful adaptations of the 1986 graphic novel
by Frank Miller and Klaus Janson. I bought the $24.99 combo packs
of a Blu-Ray disc, a DVD disc and the code for a digital download.
As I write this, Amazon currently has these packs priced at $17.99
and $13.99. It’s been several years since I’ve read the original
graphic novel, but this adaptation carries the same emotional and
visual impact as the original.
A quarter of a century after its first appearance, Miller’s story
still packs a punch. Amusingly, what I originally saw as a parody
of Reagan-era politics, now seems to be sad reflection of Miller’s
own extreme right-wing beliefs. But the strength of the story and
the characters is such that the echo doesn’t diminish my regard for
the original work. The visuals are stunning and, because they now
launch across the screen, even more powerful than they were in the
graphic novel.
The voice acting is terrific. Peter Weller’s Bruce Wayne is angry,
weary and borderline crazy. Ariel Winter plays Carrie Kelley as a
confident and determined sprite. Michael Emerson’s Joker is just
flat out terrifying.
Splitting Miller’s graphic novel into two halves works. The break
between the parts is a natural one. The movie is rated PG-13, but
I would caution you that the violence really hits home in a way not
even Miller could manage on the printed page. This is not a Batman
story for young children.
Batman The Dark Knight Returns is definitely worth watching. After
watching about half of the first part on the damaged DVD that came
from my local library, I decided it was also worth buying. I think
this is a film I’ll want to see again.
******************************
My opinion of DC’s “New 52" universe seems to drop more with each
new title I catch up on. I recently read all the Superman family
titles I had on hand.
Superman Family Adventures by Art Baltazar and Franco was the most
consistently enjoyable title. Charming, clever, fun and pleasant.
Naturally, it’s been cancelled.
Grant Morrison’s Superman stories in Action Comics have been good
to excellent with the return of Krypto being a particularly big bag
of spiffy. Morrison is going to be a tough act to follow.
Of the remaining Superman family titles, Superman has been readable
at best and hasn’t managed that of late. Supergirl has had a few
good moments, but not enough to keep me interested. Superboy has
been the worst of the bunch. In the future, unless I hear any of
these three titles has improved dramatically, I’ll likely do little
more than skim through them.
Superman deserves better. Then again, so did Superman’s creators
and their families and we all know how that turned out.
******************************
One more for the road...and it would have to be a long road for you
to read Scary Monsters Magazine #84 [October 2012; $8.95]. Edited
and published by Dennis Druktenis, this 21st anniversary issue is
164 pages of spooky spectacular. True, 30 of those pages contain
advertising, but even those pages are fun. We’ll talk about them
in a bit.
This issue’s cover feature is White Zombie, the 1932 movie starring
Bela Lugosi as voodoo master Murder Legendre. Is that an amazing
name for a villain or what?
The issue is packed with great articles and photos. Giant gorilla
Konga’s career in comic books and his one movie is covered. There
are articles on Halloween drive-in movie advertising of the past,
on monster movie conventions, on monster movie hosts, on the late
Jonathan Frid and many others. The writing is of high quality and
there are dozens of cool photos to accompany it. It takes me about
a month and a half to read an issue of this quarterly magazine on
account of I like to savor it.
That advertising section? It reminds of the advertising section in
the Famous Monsters of Filmland magazines of my youth. It’s packed
with all sorts of wondrous things and, if funds were not so tight,
I could do some real damage to my checking account.
If you’re a fan of classic and not-so-classic monster and horror
films, you’ll enjoy Scary Monsters Magazine. I recommend it most
highly.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Saturday, February 2, 2013
I’LL NEVER BUY ANYTHING BY YOU AGAIN
I am a member of a handful of comics-related mailing lists. Right
around the 2012 elections, there was a post on one of those lists
that caught my interest. The poster remarked that, in this age of
social media, we can learn and read the political positions of our
favorite and not-so-favorite writers and artists. He wondered if
any of his fellow list members ever found the comments of writers
and artists so distasteful that they simply stopped buying anything
by those creators. It’s a good question.
Intrigued by this discussion, I asked my Facebook friends and other
online pals/readers/acquaintances if they had ever stopped buying
the work of writers and artists whose political opinions (or the
creators’ caustic expression of said opinions) had turned them off.
I requested that those who wanted to respond to my question do so
privately. I wasn’t looking for public arguments or to mention any
creators by name.
Friends of Old Tony know my political leanings are most definitely
liberal and progressive. While I respect actual conservatives, an
endangered species in these days of extreme right-wing madness, I
haven’t been silent about speaking out against what I consider the
often vile positions staked out by the uber-righties. If this has
cost me readers, and it likely has, it doesn’t seem to have cost me
many readers. Oh, sure, there was the guy who used to write Comics
Buyer’s Guide on a regular basis demanding I be fired and replaced
by a conservative comics reviewer, but most readers did not seem to
have a problem with my expressing my opinions.
If I were to conduct a survey of my regular readers, I suspect the
liberal/progressives would be in the majority. If stating this is
stating the obvious, I do so only because that’s something to be
considered as we discuss the results of this informal, unscientific
survey of my readers on the matter.
Here’s my summation of what I learned from your e-mails and private
messages:
Most of the respondents did not have any problem with writers and
artists whose opinions were at odds with their own as long as the
creators weren’t jerks about it. If the opinions didn’t overwhelm
the entertainment value of the work, the respondents could and did
continue to enjoy the work of these creators.
The “I’ll never buy your work again” line was only crossed when a
creator expressed bigoted or racist opinions. Some of the examples
mentioned were a creator whose attitudes towards women turned off
many of his previously faithful readers, a creator made contemptible
anti-gay comments and a cartoonist who drew racist cartoons for
a right-wing website. I was familiar with the work of each of the
creators and found myself in agreement with the respondents to my
survey. I couldn’t enjoy the work of these creators after they had
done these things and, since I couldn’t enjoy it, I stopped buying
it...though not without some regrets.
There are creators whose work I stop buying simply because I don’t
care for it anymore. But I can only think of five whose political
opinions were a leading factor in my decision and, in the case of
two of those five, I thought the quality of their work had either
fallen off tremendously or wasn’t consistently good from the start.
Those two could be shining beacons of liberalism; I still wouldn’t
be buying their work these days.
Save for the obvious consideration that creators should strive not
to be jerks no matter what their politics, I don’t think creators
should pay much heed to whether or not their opinions are costing
them readers. If they have something to say in their work, then,
by all means, they should say it. Avoiding controversy to sell a
few more copies of their work won’t improve their sales in the long
run. It will simply hobble the creators.
That’s what I had to say. Now I’ll sit back and read what you have
to say. I only ask you not name creators by name when you comment
here or on my Facebook page.
This should be a civil discussion and not a hit list.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
around the 2012 elections, there was a post on one of those lists
that caught my interest. The poster remarked that, in this age of
social media, we can learn and read the political positions of our
favorite and not-so-favorite writers and artists. He wondered if
any of his fellow list members ever found the comments of writers
and artists so distasteful that they simply stopped buying anything
by those creators. It’s a good question.
Intrigued by this discussion, I asked my Facebook friends and other
online pals/readers/acquaintances if they had ever stopped buying
the work of writers and artists whose political opinions (or the
creators’ caustic expression of said opinions) had turned them off.
I requested that those who wanted to respond to my question do so
privately. I wasn’t looking for public arguments or to mention any
creators by name.
Friends of Old Tony know my political leanings are most definitely
liberal and progressive. While I respect actual conservatives, an
endangered species in these days of extreme right-wing madness, I
haven’t been silent about speaking out against what I consider the
often vile positions staked out by the uber-righties. If this has
cost me readers, and it likely has, it doesn’t seem to have cost me
many readers. Oh, sure, there was the guy who used to write Comics
Buyer’s Guide on a regular basis demanding I be fired and replaced
by a conservative comics reviewer, but most readers did not seem to
have a problem with my expressing my opinions.
If I were to conduct a survey of my regular readers, I suspect the
liberal/progressives would be in the majority. If stating this is
stating the obvious, I do so only because that’s something to be
considered as we discuss the results of this informal, unscientific
survey of my readers on the matter.
Here’s my summation of what I learned from your e-mails and private
messages:
Most of the respondents did not have any problem with writers and
artists whose opinions were at odds with their own as long as the
creators weren’t jerks about it. If the opinions didn’t overwhelm
the entertainment value of the work, the respondents could and did
continue to enjoy the work of these creators.
The “I’ll never buy your work again” line was only crossed when a
creator expressed bigoted or racist opinions. Some of the examples
mentioned were a creator whose attitudes towards women turned off
many of his previously faithful readers, a creator made contemptible
anti-gay comments and a cartoonist who drew racist cartoons for
a right-wing website. I was familiar with the work of each of the
creators and found myself in agreement with the respondents to my
survey. I couldn’t enjoy the work of these creators after they had
done these things and, since I couldn’t enjoy it, I stopped buying
it...though not without some regrets.
There are creators whose work I stop buying simply because I don’t
care for it anymore. But I can only think of five whose political
opinions were a leading factor in my decision and, in the case of
two of those five, I thought the quality of their work had either
fallen off tremendously or wasn’t consistently good from the start.
Those two could be shining beacons of liberalism; I still wouldn’t
be buying their work these days.
Save for the obvious consideration that creators should strive not
to be jerks no matter what their politics, I don’t think creators
should pay much heed to whether or not their opinions are costing
them readers. If they have something to say in their work, then,
by all means, they should say it. Avoiding controversy to sell a
few more copies of their work won’t improve their sales in the long
run. It will simply hobble the creators.
That’s what I had to say. Now I’ll sit back and read what you have
to say. I only ask you not name creators by name when you comment
here or on my Facebook page.
This should be a civil discussion and not a hit list.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Friday, February 1, 2013
RIDE THE PLAINS WITH FIREHAIR
Rangers Comics ran 58 issues from #8-65 [December 1942-June 1952].
The first seven issues were Rangers of Freedom Comics and the title
continued as Rangers for another four issues from August 1952 to
Winter 1953.
Rangers Comics #63 [February 1952] cover-featured the title’s most
enduring and popular star, Firehair. She was Lynn Cabot, the mild-
mannered daughter of a Boston businessman. Traveling with her dad,
their party was attacked by white men disguised as Dakota Indians.
Lynn, the only survivor, was rescued and nursed back to health by
the real Dakota people. The trauma had erased her memory, though
she would later regain it. She became the tribe’s finest warrior
and was often treated as their leader.
The Grand Comics Database credits the cover art to the Jerry Iger
studio. Firehair’s face looks maddeningly familiar to me, but I’m
unable to identify the artist.
The contents of the issue:
Firehair (10 pages), penciled by Ken Battefield.
Space Rangers in “The Quest for Lost Atlantis” (3 pages), drawn by
Murphy Anderson.
Desperado: “Billy the Kid” (1-page filler).
Jan of the Jungle (6 pages), drawn by Enrico Bagnoli. This would
be the character’s last appearance.
“Crime Almost Pays” (2-page text story).
Cowboy Bob (6 pages).
As you can see, Rangers Comics offered some variety with stories of
the western, science fiction and jungle genres. It seems likely
most of this issue’s material was supplied by the Jerry Iger Shop.
As with all of the Fiction House titles, I think you could compile
a terrific collection of stories from Rangers Comics.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
I’m still reading back issues of Batman Confidential and today I’m
recommending issues #36-39 [early January-late February 2010] by
Royal McGraw and artist Marcos Marz. You may recall I praised the
Commissioner Gordon one-shot by McGraw. Well, this serial isn’t as
outstanding as that one-shot, but it’s still pretty good.
“Blackhawk Down” has Batman, Blackhawk Express, Lady Blackhawk, a
renegade Blackhawk from World War II and a surprise appearance by
a hero whose identity I won’t reveal on account of it’s a surprise!
I was more than a little dismayed to see Lady Blackhawk brainwashed
by the villain with relative ease, but that plot development is my
only major quibble with the serial. It’s got cool airplanes, weird
war weapons and lots of action on the ground and in the air. It’s
what I would want from a story involving Blackhawk and the legacy
of the Blackhawks. The GCD doesn’t list a trade collection of this
story, but, if there is one, it’s worth reading.
******************************
Brian Michael Bendis wrote a whole bunch of issues of the Avengers
in one form or another. I’m pretty sure he’s written more Avengers
than any other writer. While I haven’t liked them all - all those
freaking company-wide crossovers made my eyes bleed - I’ve liked a
great many of them.
I recently read New Avengers #31-34, the “End Times” finale of the
title. The best thing about the story is the Luke Cage sub-plot.
Bendis has done a tremendous job with the character; I don’t think
anyone’s written him better.
The worst thing is this final arc is yet another case of the heroes
battling someone from their past and only incidentally helping the
people. This has become so common in the DC and Marvel super-hero
comics that it’s now noteworthy when super-hero self-preservation
isn’t the driving force of a storyline. Sigh.
The second-worst thing was the multiple artists of the final issue,
which include artists wholly unsuited for the pages that they drew.
It was a conceit that diminished the story.
That said, the story was a decent send-off for Bendis and the book
itself. I’m good with that.
******************************
Robert E. Howard is my favorite Conan writer, followed very closely
by Roy Thomas. After reading Conan the Barbarian #1-11 from Dark
Horse Comics, Brian Wood has a lock on third place.
Howard and Thomas brought their own distinctive voices to Howard’s
legendary creations. Even when Thomas was adapting Howard stories,
it was Roy’s voice that spoke loudest. By adding his distinctive
voice to those of so many other Conan writers, Wood won me over in
a matter of issues. His is a somewhat different Conan in thought
and visual appearance, but it’s still Conan and it’s a great take
on the barbarian hero.
Artist Becky Cloonan, who drew issues #1-3 and #7, was not someone
I would have thought of as a Conan artist. To my delight, Cloonan
established a look for Conan that, while in keeping with Howard’s
creation, was different from what has come before. The succeeding
artists on this series have kept that look.
I’m digging this new series of Conan comics because they’re filled
with surprises without losing sight of the “real” Conan. I never
pictured the pirate queen Belit as she appears in these thrilling
stories, but her passion for Conan and life is a force of nature.
I’m not much of a fan of sword-and-sorcery in comics or prose, but
Conan has always been the exception. Kudos to Dark Horse and some
of the best writers and artists in comics for keeping me intrigued
and entertained by the character.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
The first seven issues were Rangers of Freedom Comics and the title
continued as Rangers for another four issues from August 1952 to
Winter 1953.
Rangers Comics #63 [February 1952] cover-featured the title’s most
enduring and popular star, Firehair. She was Lynn Cabot, the mild-
mannered daughter of a Boston businessman. Traveling with her dad,
their party was attacked by white men disguised as Dakota Indians.
Lynn, the only survivor, was rescued and nursed back to health by
the real Dakota people. The trauma had erased her memory, though
she would later regain it. She became the tribe’s finest warrior
and was often treated as their leader.
The Grand Comics Database credits the cover art to the Jerry Iger
studio. Firehair’s face looks maddeningly familiar to me, but I’m
unable to identify the artist.
The contents of the issue:
Firehair (10 pages), penciled by Ken Battefield.
Space Rangers in “The Quest for Lost Atlantis” (3 pages), drawn by
Murphy Anderson.
Desperado: “Billy the Kid” (1-page filler).
Jan of the Jungle (6 pages), drawn by Enrico Bagnoli. This would
be the character’s last appearance.
“Crime Almost Pays” (2-page text story).
Cowboy Bob (6 pages).
As you can see, Rangers Comics offered some variety with stories of
the western, science fiction and jungle genres. It seems likely
most of this issue’s material was supplied by the Jerry Iger Shop.
As with all of the Fiction House titles, I think you could compile
a terrific collection of stories from Rangers Comics.
Keep watching this bloggy thing for more vintage comic-book covers
from the month of my birth.
******************************
I’m still reading back issues of Batman Confidential and today I’m
recommending issues #36-39 [early January-late February 2010] by
Royal McGraw and artist Marcos Marz. You may recall I praised the
Commissioner Gordon one-shot by McGraw. Well, this serial isn’t as
outstanding as that one-shot, but it’s still pretty good.
“Blackhawk Down” has Batman, Blackhawk Express, Lady Blackhawk, a
renegade Blackhawk from World War II and a surprise appearance by
a hero whose identity I won’t reveal on account of it’s a surprise!
I was more than a little dismayed to see Lady Blackhawk brainwashed
by the villain with relative ease, but that plot development is my
only major quibble with the serial. It’s got cool airplanes, weird
war weapons and lots of action on the ground and in the air. It’s
what I would want from a story involving Blackhawk and the legacy
of the Blackhawks. The GCD doesn’t list a trade collection of this
story, but, if there is one, it’s worth reading.
******************************
Brian Michael Bendis wrote a whole bunch of issues of the Avengers
in one form or another. I’m pretty sure he’s written more Avengers
than any other writer. While I haven’t liked them all - all those
freaking company-wide crossovers made my eyes bleed - I’ve liked a
great many of them.
I recently read New Avengers #31-34, the “End Times” finale of the
title. The best thing about the story is the Luke Cage sub-plot.
Bendis has done a tremendous job with the character; I don’t think
anyone’s written him better.
The worst thing is this final arc is yet another case of the heroes
battling someone from their past and only incidentally helping the
people. This has become so common in the DC and Marvel super-hero
comics that it’s now noteworthy when super-hero self-preservation
isn’t the driving force of a storyline. Sigh.
The second-worst thing was the multiple artists of the final issue,
which include artists wholly unsuited for the pages that they drew.
It was a conceit that diminished the story.
That said, the story was a decent send-off for Bendis and the book
itself. I’m good with that.
******************************
Robert E. Howard is my favorite Conan writer, followed very closely
by Roy Thomas. After reading Conan the Barbarian #1-11 from Dark
Horse Comics, Brian Wood has a lock on third place.
Howard and Thomas brought their own distinctive voices to Howard’s
legendary creations. Even when Thomas was adapting Howard stories,
it was Roy’s voice that spoke loudest. By adding his distinctive
voice to those of so many other Conan writers, Wood won me over in
a matter of issues. His is a somewhat different Conan in thought
and visual appearance, but it’s still Conan and it’s a great take
on the barbarian hero.
Artist Becky Cloonan, who drew issues #1-3 and #7, was not someone
I would have thought of as a Conan artist. To my delight, Cloonan
established a look for Conan that, while in keeping with Howard’s
creation, was different from what has come before. The succeeding
artists on this series have kept that look.
I’m digging this new series of Conan comics because they’re filled
with surprises without losing sight of the “real” Conan. I never
pictured the pirate queen Belit as she appears in these thrilling
stories, but her passion for Conan and life is a force of nature.
I’m not much of a fan of sword-and-sorcery in comics or prose, but
Conan has always been the exception. Kudos to Dark Horse and some
of the best writers and artists in comics for keeping me intrigued
and entertained by the character.
I’ll be back tomorrow with more stuff.
© 2013 Tony Isabella
Subscribe to:
Comments (Atom)





